Summer Immersive Faculty & Students Exhibit at Marblehead Arts Association

EVER EVOLVING: 
Exhibiting Instructors and their Students from

Opening Reception: Sunday, August 3, 2 – 4 pm
Marblehead Art Association, 8 Hooper St., Marblehead, MA
On View: Aug. 2 – Sept. 14

Ever Evolving is a celebration of the creative community formed by a special group of instructors and their students who come together each summer at Montserrat College of Art. Artists Timothy HawkesworthLala ZietlynBarbara Moody and Maria Malatesta have ignited the passion of devoted participants for four summers, and in turn have cultivated a rich dialogue amongst themselves, instructor to instructor.  We are proud to present an exhibition which gives testament to the unique community they have created, and pleased present works by all four instructors and their most recent students. The exhibition is sponsored by the Marblehead Arts Association and Montserrat’s Department of Continuing Education.
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Timothy Hawkesworth
 grew up in Ireland and immigrated to the U.S. in 1977. Since then, he has shown internationally, and his work can be found in collections such as the Brooklyn Museum, the Museum of Fine Arts in Boston, the Irish Museum of Modern Art and the Dublin City Hugh Lane Gallery. His work has received considerable critical attention, including reviews in the New York TimesArt News, the New Yorker, theLA Times, the Boston Globe and the Irish Times. He teaches around the country.

Lala Zeitlyn claims her real education as an artist took place on the family farm, although she studied painting at Bard and Philadelphia College of Art. She has shown in the Philadelphia area and her work is in many private collections. She is a practicing body worker and brings this knowledge to her teaching, exploring the many forms of access we have between body, mind and spirit. She has taught workshops with Tim Hawkesworth for the past eight years.

Barbara Moody is a professor at Montserrat, where she also served as Dean for nine years. She earned her master’s and doctorate degrees in Higher Education Administration from Harvard University and a BFA from Syracuse University. Over the past 10 years, she has had five solo shows at the Kingston Gallery in Boston. Her work has been exhibited in California, New York and Chicago, as well as at the DeCordova Museum. Moody’s large-scale, commissioned mural projects are installed at Meditech Corp. in Fall River, MA, a company that has more than 60 of her artworks in their collection.

Maria Malatesta
 studied at the School of the Museum of Fine Arts and Lesley College. She has been teaching Mixed Media and Painting for 12 years at Montserrat, and has assisted teaching programs in Umbria, Italy and in Tortola, BVI. Maria received a grant to the Vermont Studio Center and her work has been accepted twice into the National Prize show at the Cambridge Art Association. She has been included in numerous group shows throughout the Boston area.

Top artwork from left by Barbara Moody, Timothy Hawkesworth, and Maria Malatesta. 


www.montserrat.edu

Timothy Harney and Loren Doucette Exhibit at Flatrocks Gallery

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Asst. Prof. Timothy Harney and alumna Loren Doucette ’13 are exhibiting showing their work this summer at Flatrocks Gallery in Gloucester. The galley is hosting its first in a series of summer garden parties, Sunday, July 13th at 5pm. The evening will begin with a guided tour of the gallery, and a brief discussion of their works, by artists Len Richardson, Tim Harney and Loren Doucette. At 6 pm, in the garden, they have the pleasure of presenting guitarist Andrew “Hacksaw” Harney with a repertoire of Blues, Fusion and Funk. A young north shore talent known for being “a ‘fearless’ multi-instrumentalist dedicated to his craft.” He has played with Darrell Scott from the Band of Joy (featuring Robert Plant fronting the band), The James Montgomery Band, Barrence Whitfield and the Savages, Harper and Midwest Kind, just to name a few.

Light refreshments will be offered, but we encourage you to bring a blanket and snacks and enjoy some great music in the garden!

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Congratulations, Tim and Loren!


www.montserrat.edu

Faculty News: John McVey and Barbara Moody Update

image (1)Asst. Prof. John McVey presented his paper, “Hardware and Fiction: Genre Intersections” at the conference “The Prosaic Imaginary: Novels and the Everyday, 1750 – 2000″ at the University of Sydney, July 1 – 4. For more information, please visit the conference website: novelnetwork.org/index.html

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Prof. Barbara Moody is currently showing in the group exhibition, “Dreaming Gardens”, at Suffolk University Gallery from June 10 – August 22.
Congratulations, John and Barbara!


www.montserrat.edu

Montserrat’s Montreal Program Instructor Erin Trahan Writes for ARTery

2014-07-01 12_52_06-..__ ABC Signup.com __.Trahan_Erin_bioMontserrat is hosting the Travel Program A Documentary Lover’s Field Trip to Montreal this fall. The instructor for the travel program, Erin Trahan, has a few new stories out for the ARTery. See links below:

Roxbury International Film Festival Gets A ‘Lift’ From Kerry Washington Film Why We’re Still Talking About, And Watching, ‘Hearts And Minds’

For more information on the travel program to Montreal, visit our website or contact ce@montserrat.edu with subject line ‘Film in Quebec‘ or calling us at 978.921.4242 x1202.


www.montserrat.edu

Salem Power Plant Opens Doors to Public for Art Exhibit Documenting Life of Plant Workers: June 17-July 2

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photoFootprint Power’s Salem Harbor Station in Salem, MA will open June 17 – July 2 for a public exhibition of experience-based art projects created by Montserrat College of Art students, inspired by and produced in collaboration with workers at the Salem Harbor Station power plant, located at 24 Fort Avenue Salem, MA.

This first-of-its-kind project, “Across the Bridge,” is the result of a unique partnership between Montserrat College of Art and Footprint Power, whose primary goal was to honor and document the lives and work of the power plant employees, most of whom will lose their jobs and move on to other opportunities when the coal plant closes this summer.

According to Montserrat Academic Dean Laura Tonelli, the project dovetailed perfectly with a campus initiative to expand learning beyond the traditional classroom through collaborative, interdisciplinary projects with businesses and community organizations.  In April of this year, the initiative, called StudioXL (Studio for Experiential Learning), received funding from the Davis Educational Foundation.

The documentary project was conducted by 29 Montserrat students and four faculty (Ethan Berry, Rebecca Bourgault, Dawn Paul, and project coordinator Elizabeth Cohen) in collaboration with the plant employees.  The project and exhibition are funded by Footprint Power.

“It is a difficult thing to convey the tremendous and sometimes heroic lengths to which our staff has gone in operating this plant to safely and reliably provide power to the North Shore,” remarked Footprint Power CEO Peter Furniss “We are grateful for this opportunity to work with such a talented group of artists to begin to capture the beauty and power of Salem Harbor Station and the team that has made it work.”

There are about 100 employees of Footprint Power, some of whom have worked at the plant for 40-45 years. The plant, which has been operating on coal and oil since it was built in the 1950s, will be decommissioned this summer and will be replaced with gas-fired power generating equipment using more efficient “combined-cycle” technology.

“Across the Bridge” will include a variety of media: photography and video, drawings, paintings, poetry, sculpture and installations. It will be exhibited in the turbine hall – a unique industrial space never previously opened to the public. In addition, there will be an opportunity to see portions of the power plant itself, with mini-tours of the vintage operating equipment and control room.

Montserrat College of Art’s Improbable Places Poetry Tour will hold a poetry reading on the theme “power of work/work of power” July 2nd, 7-9 pm. More information on submitting or registering to attend is online at www.montserrat.edu/blog/category/improbable-places-poetry-tour.

Workers from the plant, and Montserrat College of Art students who have created the works on view, will serve as guides during the exhibition.

The exhibition will be on display June 17-July 2; Tuesday and Wednesday, 1-5 pm; Thursdays, 3-7 pm, and Saturdays and Sundays 2-6 pm at 24 Fort Ave. Salem, MA.

The exhibit is free and open to the public but pre-registration is required. Please email ArtandPower@FootprintSalemHarbor.com  and include the name(s) of those attending and the date you would like to attend.  Please note that you will be required to produce a valid photo ID to enter the site.

Montserrat College of Art is a small, private residential college of visual art and design, founded in 1970, by artists, for artists, educating the creative problem solvers of tomorrow.  The college offers the Bachelor of Fine Arts degree, continuing education classes and four galleries exhibiting work by international, national and regional contemporary artists, intended to offer art education beyond the Montserrat classrooms through a series of public lectures, gallery talks, catalogues and events.  www.montserrat.edu

Footprint Power LLC is an independent power producer that works with existing owners, host communities, workers and other stakeholders in older coal- and oil-fired power plants that are approaching the end of their useful life in order to transition these facilities and sites to other productive purposes. www.footprintpower.com

Above photo was taken by Montserrat College of Art student Rory Bastille ’15 while involved in the Across the Bridge project.


www.montserrat.edu

Faculty News: Martha Buskirk Update

imageProf. Martha Buskirk‘s article on photography in the context of proprietary media networks was just published in the summer 2014 issue of Artforum.

She is also about to begin a summer fellowship at the Radcliffe Institute for Advanced Study, Harvard University, where she will continue her current research, “Intersecting Realms: Art, Law, and Authorship.”

Congratulations, Martha!


www.montserrat.edu

Gertrude’s Salon co-hosted by Maggie Cavallo and Leonie Bradbury June 13

gertrudesArt as, in and with Education

Co-hosted by MAGGIE CAVALLO and LEONIE BRADBURY

Friday, June 13th, 7pm

Artists, arts educators, audiences, students – if you are curious and/or opinionated about the many many issues raised by considerations of art and education – please come join the conversation!

How do you learn about art? Through art?



The overlapping roles of art and education have a distinct effect on the lives of artists, arts educators, audiences, students and the general public. From identifying and being able todescribe arts learning experiences, to the place (or lack there of) for the arts in K-12 Education – the relationship between these fields are complex and ripe with opportunity. Join Maggie Cavallo and Leonie Bradbury for an open discussion geared towards defining art as, in and with education. Whether STEM to STEAM, the role of teaching artists in our schools and community centers, considerations of art as research and learning, or the role of colleges and universities in the lives of emerging and practicing artists – these conversations can lead us to models for how we understand both the arts and education.

Co-host bios:

Maggie Cavallo is a curator and educator based in Boston, and is dedicated to providing dynamic experiences with, through and for contemporary art and artists. Recent projects include: Take it Easy a collaborative printmaking curriculum with Urbano Project, A New Cosmic Mix: now in 5D! at the Charles Hayden Planetarium, and SPACE CASE: Zillaboston Online Residency. Cavallo is also the Curator of Education at Montserrat College of Art, a Gallery Instructor at the Museum of Fine Arts, Boston and a professor at Stonehill College in Arts Administration. She received a BA from SUNY Purchase College in Media, Society and the Arts and a Ed.M from Harvard Graduate School of Education in Arts in Education.

Originally from The Netherlands, Leonie Bradbury has been the Director and Curator of Montserrat College of Art Galleries since 2005. She has curates contemporary art exhibitions that feature a range of artists of national and international note. Her exhibitions have received numerous awards including New England Art Awards and New England Museum Association awards. Two of her exhibitions received curatorial awards from the Association of International Art Critics.

Bradbury’s specialty is contemporary art, theory, and criticism. She graduated Summa cum Laude with a B.A. in Art History from the University of Minnesota in 1998, followed by a M.A. in the History of Art from Boston University in 2001. She is currently pursuing her Ph.D. in Aesthetics and Art Theory at the Institute for Doctoral Studies in Visual Arts.

GERTRUDE’S is an artists’ lounge and lab at the BCA’s Mills Gallery – a place for idle conversation, heated exchange and the sporadic, sometimes thematic exploration of ideas that grow out of and into art.

Gertrude’s is always open for lounging and caffeinating during Mills Gallery normal hours. For more info:  rhopkins@bcaonline.org

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www.montserrat.edu

Faculty News: Masako Kamiya Exhibits at Gallery NAGA

Gallery NAGA_Installation_1The work of Assoc. Prof. Masako Kamiya will be exhibited in On the Wall at Gallery NAGA in Boston June 6  - July 11 along with Sophia Ainslie, John Guthrie, Color Ways, Rick Fox, Rachel Gross, David Moore, Randal Thurston, Harold Reddicliffe and John Garrett Slaby.

Reception: Friday, June 6, 6 – 8 pm
67 Newbury Street, Boston MA
Hours: Tue. – Sat. 10 am – 5 pm

Montserrat College of Art student Kevin Lucey (featured in the above and below photos) has helped Kamiya for the last three days to complete an installation of a wall painting at Gallery NAGA.

gallerynaga.com
617.267.9060

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www.montserrat.edu

Faculty News: Barbara Moody Exhibits At Kingston Gallery This Summer

Barbara Moody, Seismic Activity, 52 x 96 inches, Acrylic and pastel on paper, 2014. MAIN AND CENTER GALLERIES

Barbara Moody, Seismic Activity, 52 x 96 inches,
Acrylic and pastel on paper, 2014.
MAIN AND CENTER GALLERIES

Barbara Moody: Escape
On View: June 1 – 29, 2014
Reception: Fri., June 6, 5 – 7:30 pm

Prof. Barbara Moody is interested in how earthquake tremors, fault lines and seismic shifts are premonitions of a natural disaster. In her work, one can almost hear and feel distant rumblings fracturing the earth’s crust. Almost 5 x 8 feet in size, the drawings are visual feasts of mark making that reveal Moody’s intensely personal involvement with drawing. They act as metaphors for the artist’s fears of the potential dangers that may occur at any moment. The distant rumbling is a reminder of all things frightening and dangerous which randomly and by chance could disrupt the good lives that we take for granted.

Barbara Moody earned M.Ed and Ed.D. degrees from Harvard University, as well as a BFA from Syracuse University. She is a professor at Montserrat College of Art, where she also served as Dean for nine years. She completed two large scale mural projects for a corporation in Fall River, MA, as well as a 27 foot wall drawing at Montserrat College of Art. Her work has been included in exhibitions in California, New York, Minnesota and Chicago, as well as the deCordova Museum, Mills Gallery, and Albright Gallery in MA. In 2013, she was awarded the Goetemann Distinguished Artist/Teacher Award at Rocky Neck Art Colony.

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www.montserrat.edu

Congratulations to Montserrat College of Art’s Class of 2014

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On Friday morning, May 16, 84 Montserrat College of Art seniors switched the side their tassels were hanging on their caps and became alumni of the college at The Dane Street Church. They were awarded Bachelor of Fine Arts degrees in animation and interactive media, art education, book arts, graphic design illustration, interdisciplinary arts, painting, photography, printmaking and sculpture. 

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Emmy nominated animation director Bryan Konietzko was the commencement speaker and received an honorary doctor of fine arts from the college during the ceremonies. Former Beverly Mayor William F. Scanlon, Jr. was also awarded an honorary degree.

The Class of 2014 selected Asst. Prof. Shanth S. Enjeti to serve as the faculty speaker at commencement and Merriweather McCarty (shown below with President Immerman) was named student speaker. The ceremony was led my Montserrat’s Trustee Chair Lee Dellicker.

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Student Awards:
Liberal Arts Michelle McGaughey
Creative Writing Minor Ariel Durkee
Sculpture Jacob Corvelo
Photography and Video Michelle Behre
Graphic Design Whitney Chin
Art Education Zoey Chapin
Art History Minor Anna Gruca
Painting and Drawing Taylor Clough
Animation + Interactive Media Samantha Lefrancois
Printmaking Jason Fandel
Book Arts Cory Wasnewsky
Illustration Elizabeth Laskey
Interdisciplinary Arts Ariel Durkee
William + Ruth Fusco Prize Corynn Larkin

Eight students received dean’s highest honors and 26 received dean’s honors.

Faculty Awards:

Marilu Swett, chair of the Sculpture Department, received the Luz Dorrien Faculty Development Award and the Conelia Endowed Fund Award was presented to Prof. Diane Ayott.

Click here to view the 2014 Graduates and the Commencement Program!

Immediately following commencement, students and guests were invited to the Beverly Common, next to the Hardie Building, for an outdoor reception hosted by the Montserrat community. The Montserrat Gallery was open for viewing of the 2014 All Senior Show  at the college’s main campus building at 23 Essex Street.

To see more photos, visit our Facebook page!


www.montserrat.edu

Faculty News: Rob Roy Exhibits at HallSpace

Rob Roy
American Road

unnamed-1On View: May 10 – June 21, 2014

HallSpace presents recent monotypes, and paintings by Montserrat College of Art Prof. Rob Roy. This Is Roy’s second exhibition at HallSpace.

Roy has incorporated color samples of the sort one would find at a hardware store’s paint department into his work, bringing physical, ready-made pieces from the world at large into his paintings and drawings. They are combined with imagery and strategies employed in earlier work. The use of these house paint samples, Roy says, “forces me to use different color combinations.” And as has been true throughout his career, experimentation, trial-and-error, and constant exploration throughout the process of creating these works have combined to yield inventive and instructive results.
- excerpt from American Road, Rob Roy’s Long View essay by Gordon Arnold

In 2011, Rob Roy collaborated with Gordon Arnold, and Leonie Bradbury on the exhibition For the Record, Searching for Objectivity in Global Conflict.

Rob Roy earned a MFA from Yale University, and a BFA from the University of Massachusetts, Amherst. His work is in many public collections including the Museum of Modern Art, NYC, Housatonic Museum of Art, Danforth Museum of Art, Art Complex Museum, the Boston Public Library, and the College of New Jersey. He is currently Professor of Painting and Drawing at Montserrat College of Art, where he has been on the faculty since 1988.

Visit website and Facebook for upcoming exhibitions and events.

Gallery Hours:
Friday and Saturday 12-5pm
Monday – Thursday by appointment

HallSpace.org


www.montserrat.edu

Faculty News: Mari Lacure Featured on PRINTERESTING

NEW VOICES: MARI LACURE
Posted by PRINTERESTING on May 1, 2014 | http://www.printeresting.org/

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New Voices is Printeresting’s newest effort to recognize and support young and emerging artists. These articles will be image-heavy and accompanied by short reviews of art work, providing both a glance at emerging print-based work and a review of compelling and innovative artists who have not yet been widely recognized by the broader printmaking community. Check out the submission process here if you’d like to be considered for a future New Voices feature! Today we begin the series with Mari LacCure, a recent MFA graduate (2010) of the University of Kansas.

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LaCure’s mixed media work explores printmaking alongside drawing, painting, collage, and textile. Drawing from microscopic and macrosopic source material—constellations, cellular structures, and the ocean—LaCure weaves patterns from nature in each of her series: Cosmos, Waves, Clouds, and Crystals. First distilling information to its most fundamental parts, LaCure then uses repetition to create dense, immaterial spaces and forms. The work feels measured and careful, a bit scientific, yet distinctly poetic too. Each series evokes a greater perspective of complex ideas and forms, and reverence of the search for those things which are indiscernible and infinite, even today. Contemplation is a part of her practice, and the resulting work reveals the unobservable or unnoticed around us as both calculable and yet uncertain.

LaCure is based in Beverly, Massachusetts, where she teaches at Montserrat College of Art. She was the recipient of a 2011 Artist Innovation Grant from the Kansas Arts Commission, and has been awarded residencies at Women’s Studio Workshop and Emmanuel College in Boston. Her work is included in several collections including the RISD Art Museum, Washington University in St. Louis, and the SGCI Archive.


www.montserrat.edu

Faculty News: Martha Buskirk in Conversation at The Mills Gallery

WHAT DO YOU SAY?
A Conversation about Art Writing
Co-hosted by
MARTHA BUSKIRK AND ROBERT MOELLER
Friday, May 9th, 7pm

Martha-Buskirk-photo-by-Robert-MoellerJoin The Mills Gallery at 7pm on Friday, May 9th when their Salon conversation will be co-hosted by Martha Buskirk and Robert Moeller.

The topic for the evening will be “What Do You Say? Writing Over, Under and Beneath art.” Artists, writers, arts writers and all interested parties are welcomes – this is a conversation, not a workshop – to share your thoughts.

They’ll explore the intersection of words, images, objects, actions and ideas. How is the act of writing related to other aspects of the creative process? What is the role of an accompanying text? And what it means to write about art.

Martha Buskirk is Professor of art history and criticism at Montserrat College of Art. She is the author of Creative Enterprise: Contemporary Art between Museum and Marketplace and a frequent contributor to various publications, including Artforum.

Robert Moeller is a artist, writer, and independent curator. His writing appears regularly in Hyperallergic and Art New England.

GERTRUDE’S is an artists’ lounge and lab at the BCA’s Mills Gallery – a place for idle conversation, heated exchange and the sporadic, sometimes thematic exploration of ideas that grow out of and into art.

Gertrude’s is always open for lounging and caffeinating during Mills Gallery normal hours.

For more info: rhopkins@bcaonline.org


www.montserrat.edu

Faculty News: Dawn Paul’s Writing Residency at Helen Riaboff Whiteley Center

Asst. Prof. Dawn Paul has been accepted to a writing residency at the Helen Riaboff Whiteley Center  for two weeks in June.

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The Center provides a refuge for established scholars and artists to study, write, create, and interact in a peaceful and quiet environment. It is located at the University of Washington’s Friday Harbor Laboratories (FHL), a marine science research and education center north of Puget Sound, Washington.

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Scholars at the Helen R. Whiteley Center can work in quiet isolation, and also take advantage of opportunities to meet with other Whiteley Center scholars and with scientists working at FHL.

“I’m looking forward to some quiet time for writing!” – Dawn Paul

Congratulations, Dawn!


www.montserrat.edu

Message from Founding Faculty Member Ray Pisano

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Montserrat College of Art’s founding faculty member Ray Pisano invites faculty, staff and students to the Grand Reopening of Childe Hassam Park at Columbus Avenue and Chandler Street, Boston, on Saturday, April 26 at 1:30 pm.

Prof. Pisano has been instrumental in assisting with renovations and creating sculpture for this historic park, named after the artist Childe Hassam of Boston.

Learn more here: childehassampark.com

The park has an arts theme because of the many artists who inhabit the South End.


www.montserrat.edu

Staff News: Terry Slater Exhibits in Marblehead

Montserrat College of Art’s Director of Interactive Design Terry Slater is exhibiting her paintings at Marblehead Arts Association this spring.

COASTAL WATERS
By Terry Slater
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On view: April 26 – June 8, 2014

Reception: Sun., April 27, 2 – 4 pm

Terry Slater in the Gallery: Sat., May 10, 2 pm

Coastal Waters is Terry Slater’s most recent exploration of the North Shore waterways. Her sensitive use of color and fine attention to detail create a gentle meandering through the marshes. Slater is influenced by the landscapes of Gustav Klimt and Peter Doig, which is evident in her subtle use of paint. Her ability to depict deep space against a vibrant foreground creates the atmospheric light of the North Shore coast. These paintings leave one with a sense of calm and tranquility.

Hendrick Gallery
Marblehead Arts Association
8 Hooper St., Marblehead, MA
For more information, visit www.marbleheadarts.org


www.montserrat.edu

Sally Seamans Exhibits Shoes in Gloucester

imageWho needs Prada, Gucci and Jimmy Choo?

This spring, it’s Montserrat’s Image Librarian Sally Seamans, aka TIN CAN SALLY, who has the cutting edge on shoe design!

Seaman’s newest collection of tin artwork, titled ‘TINDERELLA COMPLEX’ is on display at Local Colors Artists’ Cooperative, 121 Main St. Gloucester, April 19 – May 9.

Gallery hours: 10 am – 6 pm daily.

Learn more here! 


www.montserrat.edu

Caroline Bagenal Exhibits

Assoc. Prof. Caroline Bagenal has two sculptures in Visions/Visiones at the Museo del Convento de Santo Domingo Qorikancha, Cusco, Peru.

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She also has two collages in the exhibition Transcripts/Transcrpciones at the ICPNAC

(Instituto Cultural Peruano Notramericano del Cusco) and two sculptures in Visions / Visiones at the Museo del Convento de Santo Domingo Qorikancha, Cusco, Peru. At the end of both exhibits these works will form part of the permanent collection of the Museo y Centro Cultural RIAZ, Cusco, ( ROOT Museum and Cultural Center).

In addition she will be showing sculpture at a two person exhibition in Pittsburgh.

Congratulations, Caroline!

 

 


www.montserrat.edu

 

Unlocking Creativity and Innovation for Business Professionals Workshop

Unlocking Creativity and Innovation for Business Professionals

Thursday, April 3, 8 am – 12 pm

A Half-Day Workshop Held At Held at the Hawthorne Hotel, 18 Washington Sq. W., Salem, MA

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The Enterprise Center at Salem State University together with Montserrat College of Art are offering a unique, half-day workshop at The Enterprise Center devoted to understanding creativity for business professionals. Participants will hear from and work with esteemed Montserrat faculty who understand innovation through the creative process.

In this workshop, you will:

  • Discover that creativity is not an inherent gift, but rather a teachable process anyone can learn
  • Demonstrate your own aptitude for learning this way of thinking through expert-led, small group workshops
  • Discuss how this solution-based method is being adapted and applied by business leaders today, and leave with resources to apply these concepts to your business

Workshop Outline
8 – 8:30 am — Registration and networking
8:30 – 9 am — Keynote Address: Fred Lynch
9 – 10:30 am — Break-out Workshop Sessions: Culture of Critique facilitated by Fred Lynch, Mark Hoffman & Shanth Enjeti
10:30 – 10:45 am — Break
10:45 – 11:15 am — Feedback from breakout groups
11:15 – 11:30 am — Closing Address: Fred Lynch
11:30 am – 12 pm — Reception

Register Now!

unnamed-2Prof. Fred Lynch is an illustrator, artist, and educator who lives outside of Boston, Massachusetts. He’s a professor of Illustration at Montserrat College of Art and teaches too at Rhode Island School of Design in Providence, (his alma mater). He’s been the recipient of Excellence in Teaching Awards at both institutions. An award winning illustrator, Fred’s works have been seen nationally and internationally for major corporations, magazines, publishers and newspapers. His artwork has been included in many national juried shows and regional exhibits. He has spoken recently on the topic of creativity at a number of venues including the Crossroads Convention of Educators and the Urban Sketchers Symposium in Barcelona. This summer, he’ll conduct a workshop in Paraty, Brazil.

unnamed-4Shanth Suresh Enjeti is an Assistant Professor at Montserrat College of Art in both the Illustration and Foundation departments, and is also a Senior Critic at Rhode Island School of Design where he received his BFA and has taught for more than a decade. Shanth balances his academic life with his career as an illustrator, designer, lecturer, and consultant for a variety of clients. His work has also been featured in several books on the field of art and design, and has presented at MIT, Wellesley College, Microsoft Games, Turbine Inc., and Hasbro.

unnamed-5Mark Hoffmann is an award winning illustrator, painter and animator. Mark earned a BFA in illustration from Rhode Island School of Design and MFA in visual design from University of Massachusetts- Dartmouth. His work can be seen internationally in a variety of print mediums and surface design. With a focus on low brow illustrations, Mark implies a whimsical visual dialogue with his audience. In his teaching, Mark relies heavily on constructive critiques and innovative approaches to idea building.


www.montserrat.edu

Greg Cook’s Sad Parade and Installation in the Frame 301 Gallery

2014-03-26 12_18_33-MontserratCollegeArt (MontCollegeArt) on TwitterThe current work in Montserrat College of Art’s Frame 301 Gallery is by our very own faculty member Greg CookThe Saddest Forest on Earth, installed Tuesday March 25, will be on view through Friday, April 18.

Greg hosted a special parade event, The Saddest Parade on Earth, that marched along the sidewalks of Beverly’s Cabot Street beginning at 11 am this past “Sad-urday,” March 29. The parade featured sad banners and signs, as well as a sad accordionist.  The parade concluded at The Saddest Forest on Earth, at the Frame 301 Gallery. The exhibition is a large diorama of an enchanted forest of crying, cartoony trees.

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The sad truth: Artist confronts sorry state of affairs with exhibit, parade (excerpt)
By Will Broaddus, The Salem News, Staff writer

Sometimes we don’t know whether to laugh or cry.

Artist Greg Cook captures this mixture of emotions in “The Saddest Forest on Earth,” a unique grove of trees he created for Montserrat College of Art’s 301 Gallery on Cabot Street in Beverly.

“It’s sort of like a poor man’s, do-it-yourself, wacky Disneyland kind of thing — but more disconcerting,” said Cook.

Painted on cutout fabric and ranging from 6 to 8 feet tall, Cook’s trees wear sad faces, while a shower of tears falls through their branches. They occupy the gallery’s window and present their mournful expressions to the traffic and pedestrians on Cabot Street.

“The space is 3 feet deep; it’s like a shallow diorama,” Cook said. “Mostly, I do cartoony kind of work. I do some illustration, some gallery or fine art, and it all has a cartoony sensibility.”

But if his trees look like they belong in a comic strip, they are also sharing a serious emotion that Cook believes is common these days.

“It’s a mix of serious and playful things,” he said.

Cook will also be giving a talk about his work “Remaking Our Sad World: From Community Activism to World-Building” on Monday, April 14, at Montserrat’s Hardie Building.

“The talk is about the relationship between, on the one hand, actions in the real world, trying to make it more fulfilling,” he said. “Then also, with the trees, it’s about inventing fantasy worlds.”

In Cook’s mixture of art and activism, difficult problems are addressed, but with a comic touch that lightens their burden.

Read Cook’s full feature in The Salem News.

*If you would like to volunteer to walk in the parade, contact Greg Cook at Gcook30@hotmail.com. Participants are asked to wear dapper outfits and help carry a sad banner or sign. The artist says, sadness is a helpful qualification, but not required.

In addition to being a teacher at Montserrat, Greg Cook is an artist, journalist and writer based in Malden, Massachusetts. The Saddest Forest on Earth is an offshoot of his “Enchanted Forest” series, which imagines a place of magical trees and birds and witches and hungry wolves. It is inspired by the history of New England, as well as Disney films and McDonald’s restaurant playgrounds. Parts of the series have appeared at Aviary Gallery in Boston; 17 Cox in Beverly; Zeitgeist Gallery in Lowell; Window Arts Malden; the Malden Parade of Holiday Traditions, and the restrooms of Boston’s Museum of Fine Arts.

For more information on Greg Cook, please visit:
http://gregcookland.com/

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Summer Immersive Art Workshop with Dean Nimmer

Passionate Visions: Inroads into Making Abstract Art
with Dean Nimmer
July 7 – 11 / M – F / 9am – 4pm

The goal of this course is to inspire artists to move beyond myths and stereotypes to find the myriad of accessible possibilities for creating original abstract artworks inspired by your imagination. Projects will explore interpreting observed subjects abstractly, using the basic elements of color, line, shape, texture and value as subjects, and finding inspiration in literature, poetry and the performing arts. We will use a variety of media including; drawing, painting, collage and monoprints to discover new possibilities for rich compositions that will re-energize your enthusiasm for making art. This course is open to all levels.
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About Dean: Dean Nimmer has exhibited work across the US, Europe, China, Japan and Australia. His work is in the collections of the Museum of Fine Arts, Boston, Smith Art Museum, Harvard University, Museum Haus Katsuya, Japan and the New York Public Library. Dean has received numerous grants including from the National Endowment for the Arts, Massachusetts Artists Foundation, Mass Cultural Council, and Jasper Whiting Foundation. He is the 2010 winner of the Distinguished Teaching of Art Award given by the College Art Association. He is also the author of the successful Random House book, Art from Intuition, now in it’s 5th printing, and he is writing a new book called Passionate Visions, slated for fall 2014.

Register before April 10 and save!

Summer Exhibition Opportunities

301 Gallery: Summer Immersive students past and present have the opportunity to submit work for a juried exhibition at Montserrat College of Art this summer.

Marblehead Art Association: Students who enroll in courses led by Tim HawkesworthBarbara Moody, or Maria Malatesta will have the opportunity to exhibit their work at the Marblehead Art Association, alongside the work of their instructors.

CALL FOR APPLICANTS

This year we are delighted to offer two fellowship awards, one for High School Educators, and one for Montserrat Alumni. Awards offer full tuition, housing and the opportunity to give an artist’s talk. For more information, and to apply, visit our website.

Affordable Housing by the Beach!

unnamed-5Stay on campus in our apartment style, air conditioned accommodations, just steps from class and five minutes to the beautiful beaches of Beverly!

Additional Art Workshops

June 9-July 11: Explore all our offerings from painting and fiber arts to comics and digital photography.

Apply Now!
Visit our website or contact us at ce@montserrat.edu or 978 921 4242 x 1202 to learn more.


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Faculty News: Dawn Paul’s Komodo Dragon Published

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Dawn Paul’s short story “Komodo Dragon” was recently published in a book titled Not Somewhere Else But Here: a Contemporary Anthology of Women and Place.

The books is on display in our Paul Scott Library.

To see more of her work visit: http://corvidwriters.org/dpaul/

Not Somewhere Else But Here: A Contemporary Anthology of Women & Place
Edited by Erin Elizabeth Smith, T.A. Noonan, Rhonda Lott and Beth Couture

In this 300+ page eclectic and engaging multi-genre anthology of contemporary women writers, you will find literature that transports readers across the entirety of the globe. Writers in Not Somewhere Else But Here: A Contemporary Anthology of Women & Place, include Marjoie Maddox, Wendy Call, Barbara Crocker, Marthe Reed, Karyna McGlynn, Rosebud Ben-Oni, Dianne Seuss, Sarah Sloat, and many, many more!

“Miniature celebrations of place, the writings in Not Somewhere Else But Here deftly maneuver through imagined spaces and bustling Manhattan streets, the impossible page and the architecture of Japanese homes. Here, place is questioned and subdued: it is the hot gloss of sun on concrete.”
-Lily Hoang, author of The Evolutionary Revolution and Changing

“The writing in Not Somewhere Else But Here is at turns haunting and infused with a deep magic. The work carries the reader from Beirut to Vermont, from Japan into dream worlds, bodies as maps. Landscapes are often treacherous, populated with ‘mouths of razor-wild men’, enchanted with ‘fists opened to explosions of diatomic stars,’ and each woman in this collection navigates those spaces with a deft grace. Step into the worlds they have summoned.”
-Margaret Bashaar, Editor of Hyacinth Girl Press


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Improbable Places Poetry Tour Gets Cooking in the Kitchen

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The Improbable Places Poetry Tour
Thursday, March 27, 7  pm
Eurostoves, The Culinary Centre
45 Enon Street, Beverly, MA

This month, as snow continues to melt outside, poets and writers will stoke the fires of creativity at the latest stop on the Improbable Places Poetry tour. On Thursday, March 27 at 7 p.m. at 45 Enon Street, Eurostoves, a Beverly-based supplier of cookware and kitchen appliances, will open its culinary center – usually home to knife-wielding chefs – to poets brandishing pens. Writers and spectators alike are invited to join in the fun, which will include a cooking demonstration and a cash bar.

Montserrat College of Art’s Writing Center Director and poetry tour organizer Colleen Michaels says poets are invited to share poems on a culinary theme. “Poems about best meals, kitchen tools, and grandmothers are all welcome,” she says. “We’re looking for poems that snap like a pea in spring, stir like a wooden spoon, and aren’t afraid to raid the refrigerator.”

This stop is the second on this year’s poetry tour; last stop found poets gathering at Mowers Barber Shop in Beverly where voices blended with snipping scissors and buzzing electric razors. The evening included poems about the sensuality of wet hair, the joy of a fresh crew cut and the history of the haircut.

Send your submissions to colleen.michaels@montserrat.edu.

The submission deadline is Thursday, March 20 and we are hungry for work!

I don’t write poetry, but I sure am interested in this tour. Can I still attend the event? Sure! The event is free, open to the public, and you might even pick up some mad chopping skills.

Wait! I’ve still got questions!
Just talk to Colleen Michaels, Montserrat’s Writing Studio Director
at colleen.michaels@montserrat.edu or 978-921-4242 x1277.

See you in the kitchen!

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Gordon Arnold’s Salem News Column: Cabot Street Theatre

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The enduring legacy of the Cabot Street Theatre
Montserrat College of Art Prof. Gordon Arnold

It’s a time of transition for Beverly’s beloved Cabot Street Theatre Cinema. We don’t yet know the ultimate fate of the historic property, which is currently for sale. But whatever happens, its pivotal place in cultural history of the city is secure.

For nearly a century, area residents have known and loved it. Yet, the theater is more than a place of fond memories. The magnificent structure has played a major role in creating the vibrant cultural life of the city that continues today.

The theater opened in 1920 as the Ware Theatre. It was named after its founders, N. Harris Ware and D. Glover Ware. The brothers already operated the popular Larcom Theatre in Beverly, which opened in 1912 just a few blocks away. The early success of the Larcom suggested there would be a demand for a larger and grander facility. The brothers arranged financing and began construction of an opulent new theater on bustling Cabot Street, with an eye toward serving all of the city’s residents. The theater was built to accommodate both movies and stage performances and was truly multipurpose facility.

From the beginning, the theater was a place for the city to come together. While the luminaries of high society were among its earliest patrons, it was no stuffy institution. It drew a wide audience. The best seats were 30 cents (a price that included 3 cents tax), but a balcony seat could be purchased for as little as 20 cents. Children could attend matinees for as little as 11 cents.

In the early 1920s, America’s love affair with Hollywood was just starting. Ornate movie palaces were being built throughout the U.S. to meet the demand for sophisticated new venues. The Ware, with its elegant frescoes, grand fixtures and golden dome, amply met this need and drew widespread praise.

Though these were the days of “silent movies” (the sound era did not start until the late 1920s), movies were seldom seen without musical accompaniment. In fact, announcements for the gala premiere of the theater boasted of a “$50,000 Austin Pipe Organ.” In today’s dollars, this cost was the equivalent of well over half a million dollars.

In the Great Depression of the 1930s, the carefree spirit of the “Roaring Twenties” ended. The popularity of vaudeville waned, but going to the movies remained a staple in American life. The grand theater on Cabot Street became primarily a movie house and eventually changed owners.

Local movie theaters retained their popularity in the 1940s. By the 1950s, however, the popularity of television led to decreased movie attendance. Theaters everywhere suffered.

In addition to competition from television, there were the new realities of suburbia. Movie theaters followed stores and restaurants away from downtown areas to shiny new shopping centers at the outskirts of town. The Northshore Mall, which opened in the late 1950s, was one of earliest of these. In 1963, a multi-screen theater was constructed adjacent to the popular shopping destination. It was a glimpse of the future.

In the following years, customers were increasingly drawn to suburban shopping centers and to the theaters there, some with a dozen or more screens. The aging theater on Cabot Street, like similar venues, came to be seen as relics of a bygone era.

By the mid-1970s Beverly’s downtown theater, which had long since been acquired by the E.M. Loew’s chain and renamed the Cabot Cinema, fell on hard times. It showed mostly second-run films at reduced rates. Although it remained a local attraction that generated many fond memories, it suffered in the wake of changing consumer preferences and the economic crunch of that decade. Finally, Lowe’s decided to sell it.

A new ownership group, led by the late Cesareo Pelaez, acquired the property in 1977 and changed its name to Cabot Street Theatre Cinema. They then began to restore to the theatre to its former splendor.
Pelaez was Renaissance man. He was a college psychology professor and also a stage magician. Soon, in addition to restoring first-rate film programming, the Cabot began weekly stage shows featuring the Le Grand David and his own Spectacular Magic Company.

The live magic show gained national acclaim with its spectacle and old-world charm. The old theater regained its luster and was once again a source of pride for the city. With its rebirth, the reputation of the Cabot was assured for many years.

With Pelaez’s death in 2012 and the closing of the magic show, the future of the theater once again seemed uncertain. In 2013, the Cabot was put up for sale. The search for new owners continues today.
What will happen the Cabot Street Cinema Theatre remains an open question. Until new ownership is secured and plans are made, it’s difficult to predict whether the aging building will continue to be operated a theater for either film or stage.

As a theater for film, there are daunting challenges for any new owner. Hollywood studios are ending distribution of movies on film. Instead, most films will be available only in digital formats. This will require theaters to buy expensive digital projection equipment. Many independent theaters simply can’t afford that cost. It remains possible, of course, that visionary new owners could solve that problem.

Whatever the future of Beverly’s grand old theater, however, the cultural vibrancy that the Cabot helped bring to downtown Beverly a century ago will continue. A formal cultural district is being developed for the downtown area where the Cabot Street Cinema Theatre stands.

Montserrat College of Art, the city of Beverly and Beverly Main Streets, are leading the project. Their goal is to improve to the city’s “livability, civic engagement, and arts appreciation and support.” It’s a fitting development and a testament to the cultural tradition of Beverly that the Cabot Street Cinema Theatre helped create a century ago.

Gordon Arnold, Ph.D., is the author of several books about film and American society and is professor of liberal arts at Montserrat College of Art.

Above artwork: alumnus Jon Bolles ’12, oil on canvas “Cabot Cinema” (36”x48”)


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Colleen Michaels Update

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Writing Center Director Colleen Michaels‘ poem Medeski, Martin, and Wood at Dinner has been published in Hawai’i Review 79: Call & Response, Issue 79, 2014.

A copy of the journal is currently in Montserrat’s Paul Scott Library circulation desk.

Also, her poem is one of the featured storytellers for A Winter’s Tale in Portsmouth, NH on March 16.

As the season turns and sunset arrives later each day, March’s theme encourages reflection on growth, change, and thresholds crossed, featuring stories by a range of creative people including writer and host of Newburyport’s Tannery Series, Dawne Shand; writer Zach Foote; poet and artist Colleen Michaels; musician and comedian Jon Lessard; actor and web developer Kevin Baringer; and writer and filmmaker Jason Santo. Each storyteller will take a turn before the crowd, relying only on memory to share a 10-minute true story from their own lives. Learn more here!

Also, her wildly successful Improbable Places Poetry Tour has been featured in the April 2014 issue of Northshore Magazine on page 44. Click here to read the article! 

Her next Improbable Places Poetry Tour stop is Thursday, March 27, at Eurostoves, The Culinary Centre (45 Enon Street, Beverly). This month’s theme is In the Kitchen.”  Send your submissions to her at colleen.michaels@montserrat.edu by March 20. Learn more here!

Congratulations, Colleen!Northshore Magazine - April 2014 Colleen2


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Summer Immersives Featured Faculty: John Murray

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John Murray, born in Boston in 1942, has lived in Los Angeles, Provincetown and Boston. For more than 40 years he has explored his bleak/sensual aesthetic through paints and mediums of all descriptions, as well as printmaking and assemblages. He studied at the School of the Museum of Fine Art, Boston, and exhibits widely throughout the North East. jmurrayart.com

This summer, he will be teaching a Summer Immersive course through our Continuing Education Department:

Supercharged Painting
Instructor: John Murray
June 16 – 20 | Mon. – Fri. | 9am – 4pm

This course begins with the notion that Jackson Pollock liberated painting and takes off from there. Students will investigate various painting media including acrylic, glazes, pigments, and collage. Both figurative and abstract approaches are encouraged in this energetic class with an emphasis on Post Modern plasticity and visual language.

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Register Now
Prerequisite: none required
Price: $795; $715 Early Bird rate (register before April 10)

For more information, please contact the Continuing Education Office at 978.921.4242 x 1202 or email ce@montserrat.edu


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Faculty News: Matthew Murphy Exhibits in Arkansas

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Instructor in Painting and Drawing, Matthew Murphys show, BETWEEN STATES: Paintings by Matt Murphy and Sam King opens this month with an Opening Reception: Thursday, March 6, 5 pm at SUGAR Gallery, 1 East Center St., Fayetteville, AR.

Sam King and Matt Murphy approach the problem of abstraction from different points of view, but also with many shared visions that move them beyond the formal. King challenges illusionistic preconceptions by building, scraping, and exposing the material of the paint itself, hinting at space, light, and narrative. Using color, accumulated mark, and literal shape, Murphy sets up space discomposed by its own elements.

Through improvisation and drastic revision, King steers his paintings into uneasy resolutions of perceptual, emotional, and interpersonal experience, where suggestion trumps declaration and awkward harmonies abound. King sometimes paints on found (or deliberately misshaped) panels that complicate budding pictorial relationships and nudge at the paintings’ objecthood.

Murphy’s exploration of ideas in abstraction has prompted a move toward the realm of object-making, allowing drawings, paintings, and wooden constructions to inform each other. Paintings happen alongside drawings, which happen alongside collages and constructions. Their development is non-linear. Murphy is interested in how different modes of presentation can be deployed to express similar ideas within abstraction. These ideas are about metaphor, geometry, fantastic narrative and materiality. They draw from a variety of sources, from astronomy to El Greco.

For images and more information click here!

Congratulations, Matt!


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Faculty News: Dawn Paul Poem

unnamed-4Liberal Arts Asst. Prof. Dawn Paul has a new poem in the online journal, Postcard Poems and Prose.

Her poem, “The Night before I Climbed Mt. Washington” can be seen here: postcardpoemsandprose.wordpress.com

Students are encouraged to submit their work to this journal!

Congratulations, Dawn! Cool poem – literally and figuratively!

To see more of her work visit: corvidwriters.org/dpaul


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Gallery Update: Masako Kamiya: Liminal

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Masako Kamiya: Liminal
On View: Feb. 14 – March 15, 2014
Montserrat’s Carol Schlosberg Gallery
Reception: Tue., Feb. 25
Artist Talk: Thu., March 6
montserrat.edu/galleries/schlosberg

Masako Kamiya paints dots; precise, intentional and deliberate dots. To say this means not to naively reduce Kamiya’s work to the singular simplicity of the dot. On the contrary, her repetitive and delicate mark making activates a complex dialogue between Kamiya and the surface of her work. The dot is her poetic language. With each application, Kamiya translates emotion and dimension to the viewer. “Mark making is important,” says Kamiya, “dots not only make individual marks, but also make a shape that is clear and simple.”

The six works featured in “Liminal” are monuments to the mark. “Late April”, 2012 for example, is a microcosm of mini skyscrapers. Unlike city towers made of concrete and marble, Kamiya constructs a constellation of fragile specks. As each mark is made, layering color on top of color, slowly grows outward from the surface of the work, casting shadows across a gradation of blue to purple.

The buildup of gouache influences a spacial relationship between medium and surface; one of the many ways Kamiya widens the scope of painting. The fast drying nature and durability of gouache is an ideal fit for this repetitious, compulsory type of making. Kamiya’s impulse to paint communicates a particular way to read the ‘brushstroke’. Each encounter is a momentary touch, a carefully choreographed exchange between artist and intention.

Kamiya’s paintings create a tangible presence despite the elusiveness associated with liminality. With each mark, she paints a sensory threshold of an intermediate state between transit and stasis. The exhibition’s title, Liminal, relates to the intermediate state that Kamiya brings to fruition compositionally. In the physical sense, “liminal” is an abstract term used most often in reference to an illusionary space, or the space between things. This exhibition is about the opening up of that space on the picture plane.

Masako Kamiya is a 1997 graduate of Montserrat College of Art, with a BFA in Fine Arts. She received her MFA in Painting from Massachusetts College of Art in 1999. Kamiya is represented by Gallery NAGA in Boston. In the summer of 2013, Kamiya was the recipient of the Featured Artist Residency Program at Burren College of Art, Ireland. Most recently, Kamiya is featured in the group exhibition, “Obsessive Compulsive Order” currently on view at UMass Dartmouth in New Bedford, Feb 6 – March 13, 2014.

www.masakokamiya.com

Photos by Michelle Behre ’14

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Faculty News: Wilber Blair Exhibits at Danforth Museum

Awake and Await

Montserrat College of Art Faculty Member Wilbur Blair has an upcoming show at Danforth Museum in Framingham entitled “Awake and Await.” The show runs from March 9 to May 18.

Members Only Reception
Saturday, March 8, 6 – 8 pm

Artist Talk
Sunday, April 13, 3 pm

Awake and Await explores the anxiety, fear and loneliness experienced by many undergoing medical treatment. Wilber Blair’s signature painting “Awake and Await” clearly recalls his repeated hospitalizations as a child, listening to the sound of a ticking clock, watching elevator doors open and close, desperately waiting for his parents to arrive. Despite their genesis in illness, these paintings employ rich and saturated colors to represent hope. A departure from Blair’s previous affinity for “awe-filled” landscapes by Bloom and Bresdin, these works “wrestle personal imagery” from imagination. Crayons and coloring book are central to “Vision 1958,” a painting that allows the painter to recapture a sensation of fantasy and escape made possible by the first artist tools he was given.
About the Artist

Wilber Blair graduated with a BFA from Boston University in 1974 and then earned an MFA from the University of Michigan, Ann Arbor in 1978. He has pursued many different lines of work in order to support himself as a painter, including retail at the Museum of Modern Art in New York and in professional restoration of art and antiques. However, teaching painting and drawing has proved the most rewarding. He has been on the faculty at the Montserrat College of Art since 2003 and Danforth Art since 2006. Although he has exhibited widely numerous venues, this is his first solo exhibition in a museum.

For more information, please visit danforthart.org.


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Upcoming Exhibitions for Masako Kamiya

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Assoc. Prof. Masako Kamiya will be exhibiting in a couple exhibits opening this month at UMass Dartmouth’s University Art Gallery, and Montserrat College of Art’s Carol Schlosberg Alumni Gallery.

**Feb. 6 – March 13, 2014
“Obsessive Compulsive Order”
University Art Gallery, UMass Dartmouth

Reception: AHA! Night, Feb. 13, 6 – 9 pm,
Artist Talks: Feb. 13 & March 7 pm
Group exhibition exploring systematic, deliberate work patiently created in various media by outstanding female artists from the New England and beyond. Artists: Huguette Despault May, Masako Kamiya, Jane Masters, Barbara Owen, Jessica Rosner, Diane Samuels, Curated by: Viera Levitt

Hours: Open daily 9 AM to 6 PM; free admission

University Art Gallery
College of Visual and Performing Arts
UMass Dartmouth
715 Purchase Street, New Bedford, MA
(508) 999-8555
gallery@umassd.edu

>> Gallery Website
>> Gallery Facebook

**Feb. 14 – March 15, 2014
“Masako Kamiya: Liminal”
Carol Schlosberg Alumni Gallery
Montserrat College of Art

Opening Reception: Tue., Feb. 25, 5 – 7 pm
Artist Talk: Thu., March 6, 11:30 am

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23 Essex Street, Beverly, MA
(978) 921-4242 x3
gallery@montserrat.edu

>> Gallery Website
>> Gallery Facebook

To see more of Kamiya’s work visit masakokamiya.com


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Faculty News: Rob Roy Exhibition

 Rob Roy announcement 2014

“American Road”, Prof. Rob Roy’s one person exhibition of paintings and works on paper at the Art Gallery, LaFontaine Fine Arts Center, Mount Wachusett Community College, Gardner, MA will run from February 3 thru March 14, 2014.

There will be an Artist Talk on Wednesday, February 19, at 12:30 pm, and a Reception on Sunday, March 9, 1 – 3 pm.

Visit mwcc.edu/community/east-wing-art-gallery/ for more information!

Gallery Hours are Monday – Friday, 8 am – 5 pm.


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Founding Faculty Member Ollie Balf Featured in Yankee Magazine

One of our Founding Faculty Members, Ollie Balf, is featured in Yankee Magazine this month!

“The late Oliver Balf lived and worked as an artist in Rockport, MA for more than 60 years. He was a teacher, a father, a husband and a painter. He created an eclectic mix of work in his lifetime with much of his art inspired by the landscape of Cape Ann. The following slide show is a collection of photographs taken at the family home and studio by photographer Jared Charney in 2013, personal family photographs as well as some of Oliver Balf’s original paintings.”

See full feature here: yankeemagazine.com

To see more of artist Oliver Balf’s work, please visit: oliverbalf.com

His art will also be up for auction at this year’s Artrageous!28

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Erin Dionne Update: Edgar Award Nomination and Merit Award Winner


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Assoc. Prof. Erin Dionne is excited to share the news that her latest novel, Moxie and the Art of Rule Breaking (Penguin Young Readers Group – Dial), is nominated for a 2014 Edgar Award, Best Juvenile, sponsored by the Mystery Writers of America.

Here’s a link to the site: theedgars.com/nominees

Also, Dionne’s website, which was designed by Montserrat instructor Justin Gagne, is a Merit Award Winner in the 15th Annual HOW Interactive Design Awards!

Visit www.erindionne.com

Congratulations to both Justin and Erin!

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Upcoming Shows for Judy Brown

Prof. Judith Brassard Brown is exhibiting in The Power of Suggestion at Gallery Alpers Fine Art Jan. 15 – March 22. The gallery is located at 96 Main Street, Andover, MA.

Opening Reception: Saturday, Jan. 25, 5 – 8 pm.

For more info, visit alpersfineartonline.com

Over the summer, if you are heading to the Cape or want to visit directly, her work can be seen in ‘Recently Acquired’ at the Art Complex Museum from May 18th-September 7th, 2014.

See more of her work here: judithbrassardbrown.com

Above Image: Keep, 200, mixed media, 6″ x 6″

 


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Montserrat Community (Faculty, Alumni, Student) Exhibits at BU’s 808 Gallery

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Instructor and performance artist, Sandrine Schaefer‘s upcoming curatorial project ACCUMULATION (phase 2) is on view at Boston University’s 808 Gallery in conjunction with the Lightening Speed of The Present exhibition Jan. 23 – March 30.

Alumna Kelly Hunter ’13 and current senior Dan DeRosato ’14 are among the artists participating. They were both students of Schaefer.

Live performances will begin on Jan. 29th and will happen every Wednesday (with the exception of March 12).

Please visit the ACCUMULATION website  for updates on the schedule and information about the artists.

 


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Rose Olson Featured in Portland Press Herald Review

Prof. Rose Olson was favorably reviewed in Portland Press Herald for her artwork in Eight Women Abstract Artists: 8 X 8 at Susan Maasch Fine Art in Portland, ME. Long friend of Montserrat, Lynda Schlosberg is also featured in this exhibit.

Art Review: Is there a new vein in abstract painting in Maine?

“The group is rounded out by Rose Olson, whose elegantly beautiful works push abstraction to the liminal edge of the finely finished object – like if Barnett Newman or Ad Reinhardt had been craft artists. This is where “8 x 8” transcends a standard gallery show and comes across as an intuited observation on Maasch’s part. Her roster, after all, is well balanced between men and women, but her painters are largely women abstractionists. Is that chance or is there something going on with abstract painting by women?

While I don’t think the point of “8 x 8” was to say “the strongest women abstract painters in Maine are making more and more intimate work that engages the logic and finish of craft,” that is both a valid conclusion about the show and an insightful observation about ambitious art in Maine.

“8 x 8” is an engaging, handsome and interesting exhibition. And I like the questions it raises.”

- Daniel Kany

Visit pressherald.com to read the full article.

EIGHT WOMEN ABSTRACT ARTISTS: 8 X 8: Featuring Rose Olson, Lynda Schlosberg, Joanne Mattera, Amy Goodwin, Paula Shalan, Penelope Jones, Kiki Gaffney and Jessica Gandolf

WHERE: Susan Maasch Fine Art, 4 City Center, Portland, ME

HOURS: 11 a.m. to 5 p.m. Monday to Friday; 11 a.m. to 5 p.m. Saturday

susanmaaschfineart.com 


www.montserrat.edu

Alumni News: Bea Modisett Exhibit at Hallspace

Last chance to see the work of alumna Bea Modisett ’07  in her solo exhibit at Assoc. Prof. John Colan‘s galleryHallspace  at 950 Dorchester Ave., Boston, MA. “By Way of Bangkok” ends Saturday, Jan. 25. Gallery Hours: Fri. – Sat. 12 – 5 pm and by appointment Mon. – Thu. The show features the paintings Modisett has created since March 2013 when she returned from an extended solo backpacking journey through Thailand, Laos, Vietnam, Cambodia and Burma.

The Steady Quiet Plodding Ones

The Steady Quiet Plodding Ones. 16″ x 20″. Oil on Canvas

Bea Modisett received her BFA in painting from Montserrat College of Art in 2007. She received fellowships to the Vermont Studio Center in Johnson, Vermont, and Hambidge Center for Creative Arts and Sciences in Rabun Gap, Georgia. Modisett has exhibited at the Kingston Gallery, Boston, Endicott College Center for the Arts, Beverly, HallSpace, Boston, Decordova Museum and Sculpture Parks, Lincoln, and many other venues throughout New England. Bea Modisett was born in Washington, D.C. and lives in Beverly, Massachusetts.

Thoughts Kith and Kin (1)
Thoughts Kith and Kin. 16″ x 20″. Oil on Canvas

Modisett’s Upcoming Events at Montserrat College of Art

Contemporary Cocktail
What dynamic forces insert themselves into the creative process? The artistic impulses of control, surrender, perfection and illusion are explored in conversation by visiting artists Masako Kamiya, Bea Modisett, Antoniadis & Stone and curator Leonie Bradbury, Feb. 28, 7 – 9 pm

Solo Exhibition
Carol Schlosberg Alumni Gallery, March 15 – April 6

Public Artist Talk
March 20, 11:30 am, Room-201

Montserrat College of Art
23 Essex Street
Beverly MA 01915


www.montserrat.edu

Martha Buskirk Writes for Artforum and Hyperallergic

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The December issue of Artforum features Prof. Martha Buskirk‘s collaboration with Caroline Jones and Amelia Jones on the role of “Re-” in contemporary practice (reconstruct, re-create, reenact, remake, etc.). Ten definitions appear in the print edition, and over 20 in the on-line version, but the selected highlights have to be understood as only a small sample of the many variations on this theme.

Visit artforum.com to read her piece “The Year in Re-”

Buskirk ‘s article on the lawsuit brought by Marc Jancou against Cady Noland, after she renounced a damaged work of art that he was trying to sell at auction, was just published by Hyperallergic.

Visit hyperallergic.com to read her article.


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Faculty News: Lawrence Waldron Presenting at Smithsonian Institution

Assoc. Prof. Lawrence Waldron will be presenting research on Indigenous retentions in Caribbean folk medicine on Saturday, Dec. 14 at the Smithsonian Institution. He will explore the early 20th century calypso, “West Indian Weed Woman” as an example of how deeply Indigenous culture has saturated into Caribbean popular culture.

Before joining the faculty of Montserrat College of Art in 2013, Lawrence Waldron had taught both studio art and art history for over fifteen years. He has published essays and presented conference papers on the arts of the pre-Columbian Americas; colonial and modern art, architecture and music in the Caribbean; Buddhist symbols of Asia; traditional textiles in Southeast Asia; and Islamic architecture in Spain and Africa. He has curated two exhibitions of traditional textiles of the Philippines. He is currently completing two books on the art and iconography of the pre-Columbian Caribbean.

 

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Improbable Places Poetry Tour Goes to the Barber

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Thursday, Dec. 12, 7 – 9 pm
Mower’s Barber Shop
269 Cabot Street, Beverly, MA

The Improbable Places Poetry Tour is Montserrat College of Art’s way of bringing together student writers, local poets, area businesses and enthusiastic listeners to celebrate the power of poetry and community. At each tour stop a new venue and theme is selected. This month’s venue is a handsome barber shop, Mower’s on 269 Cabot Street in Beverly, MA.

A Barber Shop, huh? That’s right, folks. A first haircut, a close shave, a hair bender, a golden lock. Flattop, bouffant, mullet, faux hawk or victory rolls – this month’s theme is all about hair and barber shop/beauty parlor culture. All styles of original poetry are welcome. We’re looking for poems that raise the hair on the nape of our neck or bubble up like a good lather.

I don’t write poetry, but I sure am interested in this tour. Can I still attend the event? Sure! The event is free, open to the public, and you might even get a signature haircut by Master Barber, Jay Mower. You’ll find old-school service layered with well-styled poems at this event. Get your groom on!

Wait! I’ve still got questions! Just talk to Colleen Michaels, Montserrat’s Writing Studio Director. She’s at colleen.michaels@montserrat.edu or 978-921-4242 x1277.


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Faculty News: Greg Cook Creates Enchanted Forest in Holiday Parade

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Montserrat Instructor Greg Cook and his family marched with other local families in the Parade of Holiday Traditions in Malden, MA. this past weekend (Nov. 30). Cook’s wife Kari Percival made many of the costumes and he painted the tree banners where he created a walking Enchanted Forest populated by New England woodland critters.
Images courtesy of Greg Cook.

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Gordon Arnold: JFK and a fractured new world

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Prof. Gordon Arnold wrote a column, “JFK and a fractured new world,” for today’s issue of the Worcester Telegram on the occasion of the 50th anniversary of President Kennedy’s assassination.

JFK and a fractured new world

(AS I SEE IT)

By Gordon Arnold, 
telegram.com

The sudden death of John F. Kennedy 50 years ago not only ended the life of a president. It marked a change in the trajectory of the nation. By the time the shock of his murder started to set in, the United States was already approaching a time of disorder and dissent, the likes of which it had seldom seen.

Americans did not expect the turmoil that erupted in the years soon after Kennedy’s death. After all, the nation had mostly managed to maintain a positive outlook throughout the Cold War. In fact, when Kennedy won the presidency, he seemed to be at the forefront of a new wave of American optimism. His talk of a “New Frontier” captured much of that spirit.

There were still crises, of course. The disastrous Bay of Pigs invasion in 1961 and the Cuban Missile Crisis the following year presented significant peril. And threat of the Soviet Union and international communism were always nearby.

Yet, Americans came through those dangers with much of their optimistic spirit intact. Despite the anxieties of international politics, the future throughout most of 1963 looked bright.

But Kennedy’s murder on November 22 of that year traumatized the nation and shattered its optimism. After his assassination, the world looked considerably darker than Americans had envisioned. Within a few short years, this bleaker world more fully materialized in social upheaval, racial tensions, and the divisive war in Vietnam, all of which fueled social strife and discontent.

None of these problems was entirely new, but they all reached their full fury in the months and years after Kennedy’s death. It was far from the New Frontier that the president had imagined.

In some ways, Kennedy’s death marked the symbolic death of one era and the beginning of a new one of self-doubt and self-loathing, which persists today.

After the assassination, for example, increasing political paranoia became apparent. Arguably, its corrosive effects since then have been as damaging to the American spirit as any actions by an assassin’s bullet or a foreign enemy.

Paranoia in the political realm was not new. Americans already had experience with it when it surfaced in early 1950s at the height of the communist scare. But post-assassination paranoia was more pronounced and more insidious.

In an influential essay after Kennedy’s death, Richard J. Hofstadter observed that “heated exaggeration, suspiciousness, and conspiratorial fantasy” was on the rise. He noted how an increasing number of Americans viewed the world in starkly black and white terms. They despised political opponents and avoided compromise. To these people, opponents were not simply people with different ideas. They were immoral and represented evil.

This seems familiar now, but it did not in the 1960s.

This new paranoia was not just confined to a fear of a single enemy, as had been the case regarding communism earlier. Instead, it crept into discussion about American life overall. The new paranoia focused incessantly on what was perceived as America’s moral decline. Communism was just one of many new enemies, as many traditional understandings and ways of doing things changed.

In some respects, a cultural civil war erupted in America not long after Kennedy’s death. By the end of that decade, many of the nation’s central institutions were under siege.

The pervasiveness of these challenges is hard to overstate. The decade of the 1960s was a time of many battles. There was a breakdown of communication between generations, fury about the Vietnam War, and controversies about a host of other issues, such as racial and gender equality and even the place of religion and of government in everyday life.

Each of these was important, but more significant is the fact that all of these controversies raged simultaneously, stretching thin the very fabric of our society.

The Kennedy assassination was not the cause of this strife, of course. But that tragedy marked the beginning of an unsettling era, as if the president’s death unleashed a torrent of long-simmering conflicts. And the conflict was intense. By the end of that decade, it seemed to many Americans that the country was falling apart.

For Americans old enough to remember, it’s difficult to recall John Kennedy’s assassination without also recalling the turmoil that followed it. Younger Americans may not see these things together. They may see the president’s death as a more isolated event.

In the wake of 9/11, it may seem as though the murder of a president half a century ago, and the national crises that followed, are ancient history.

But as we continue to grapple with our own crises, it is useful to recall that those events set the stage for the world we live in. Today’s world of polarized politics, fractured culture, and seemingly endless global conflict is a product of those times. It’s not too late to learn from them.

Gordon Arnold, a resident of Westboro, is Professor of Liberal Arts at Montserrat College of Art in Beverly, and the author of several books, including Projecting the End of the American Dream (2013).


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Student News: Announcing: Here? No, There.

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Here? No, There.

Tuesday, Nov. 26, 2013 

10 am - 9 pm

301 Gallery
Montserrat College of Art
301 Cabot Street
Beverly, MA

The culmination of the efforts of the Body as Art: Performance Art Fundamentals Class taught by Sandrine Schaefer at Montserrat College of Art will take place at 301 Gallery in a final event featuring the work of:

Dani Thomas-10am-9pm

Morgan O’Donnel-Curry- 10am-9pm

Dan DeRosato- 10am-12:30pm

Nygel Jones- 10am-3pm (video screening -documentation of site-specific performance)

Phoebe Warner- 11am-9pm

Sam Glidden-1pm-9pm

Dan Ceritto- 1pm-2pm

Tori Cossette- 3pm-9pm

Dan Stone- 6pm-9pm

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Faculty News: Matt Murphy Exhibits at Laconia Gallery

2013-11-20 16_21_36-Between States_ Sam King & Matt Murphy _ LACONIA GALLERYMontserrat College of Art faculty member Matt Murphy has a show coming up at Laconia Gallery.

Between States:
Matt Murphy and Sam King
Opening Reception: Dec. 6, 5:30 – 8 pm
Exhibit:Dec. 6, 2013 – Jan. 26, 2014

Sam King and Matt Murphy approach the problem of abstraction from different points of view, but also with many shared visions that move them beyond the formal. King challenges illusionistic preconceptions by building, scraping, and exposing the material of the paint itself, hinting at space, light, and narrative. Using color, accumulated mark, and literal shape, Murphy sets up space discomposed by its own elements.

Through improvisation and drastic revision, King steers his paintings into uneasy resolutions of perceptual, emotional, and interpersonal experience, where suggestion trumps declaration and awkward harmonies abound. King sometimes paints on found (or deliberately misshaped) panels that complicate budding pictorial relationships and nudge at the paintings’ objecthood.

Murphy’s exploration of ideas in abstraction has prompted a move toward the realm of object-making, allowing drawings, paintings, and wooden constructions to inform each other. Paintings happen alongside drawings, which happen alongside collages and constructions. Their development is non-linear. Murphy is interested in how different modes of presentation can be deployed to express similar ideas within abstraction. These ideas are about metaphor, geometry, fantastic narrative, and materiality. They draw from a variety of sources, from astronomy to El Greco.

The show will then travel to The University of Arkansas in March.
Please visit laconiagallery.com to learn more!


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Faculty News: Rob Roy and Rhoda Rosenberg Featured in “Palate to Plate”

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Prof. Rob Roy and Asst. Prof. Rhoda Rosenberg‘s prints and recipes are included in “Palate to Plate,” a cookbook recently published by The Boston Printmakers. The book will also serve as the catalogue for a members exhibition to be held at the Newport Art Museum, RI from September, 2014 through December, 2015.

Palate to Plate
The Boston Printmakers 2012-14 Members Exhibition
Newport Art Museum, RI, Fall 2014

The Boston Printmakers is pleased to announce the release of Palate to Plate: Prints and Recipes from Members of the Boston Printmakers. This full-color, 216-page book is also the catalogue for the 2014 Boston Printmakers Members’ Exhibition at the Newport Art Museum (Fall 2014 – early January 2015). This beautiful book contains prints and favorite recipes by 99 members of the Boston Printmakers. The book is available through www.blurb.com. The ordering process is simple and easy. Delivery time is 2-4 weeks and the price for the book is $40.09. There are discounts available for purchasing multiple copies.

Click here to learn more!


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