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DTSTART;VALUE=DATE:20140917
DTEND;VALUE=DATE:20141214
DTSTAMP:20260424T121653
CREATED:20231220T195349Z
LAST-MODIFIED:20240108T165817Z
UID:1708-1410912000-1418515199@www.montserrat.edu
SUMMARY:Franklin Evans: juddrules
DESCRIPTION:Reception: Sept 17\, 5:00 – 8:00p \nGallery Hours\nMon. – Thurs. 10 am – 5 pm\nFri. 10 am – 1 pm \nOpen Studios: M – Th\, 11:10a – 12:30p \nEvents Hotline\n978.921.4242 x3 \nMontserrat College of Art is proud to present juddrules featuring New York-based artist Franklin Evans. While Evans considers himself first and foremost a painter his works are process-based physical environments\, surrounded by the very source materials that conceptually inform his paintings. “It’s like walking into a painting\,” describes Evans\, anticipating how Montserrat Gallery will evolve into a ‘landscape’ of ephemeral and factual materials over the course of his three week residency. \nAt first glance the space resembles a studio more than a gallery: long strands of painters tape\, unstretched canvas mounted to the walls\, books\, low resolution printed out photos and stacks of paper implies that the audience is literally “stepping into” a work in progress. Evans utilizes the gallery as a site of production\, rather than an endpoint in which show a “finished” product. By revealing cultural references influential to his work such as theoretical texts\, art historical documents\, exhibition press releases\, digital images\, etc.\, Evans creates a web of interconnected ideas. \nLeonie Bradbury\, Director and Chief Curator of Montserrat Galleries describes the artist’s work as a network. “The artwork exists in a state of flux\, continuously transitioning\, wavering between assembled and dismantled\, reconnecting and disconnecting\, configuring and reconfiguring to form moments of coalescence.” The inclusion of both found objects (tape\, photos\, books) and his fine art paintings work together to illustrate an expansive view into Evans’ history and biography as an artist. The flux between big picture thematics and personal items within the installation creates a constant loop of informing and influence. \nAnother way that Evans communicates sources of influence and inspiration is through the titles of his work. For example\, paintingassupermodel\, a recent solo-exhibition at Ameringer McEnery Yohe Gallery (New York) expanded upon three essays in Yves-Alain Bois’ book\, Painting as Model. For his exhibition at Montserrat\, Evans will work with the writings of Minimalist artist\, Donald Judd\, specifically those that were highlighted or underlined during Evans’ original reading of the text. Creating self-imposed guidelines or “rules” for which excepts to incorporate into the installation results in the title\, juddrules. \n*Franklin Evans will be in residence installing juddrules August 24 – September 16\, 2014. If you want to meet the artist or talk about his work come back during “open studio hours” Mondays-Thursdays 11:10am – 12:30pm OR contact Assistant Curator of Exhibitions\, Pam Campanaro: pamela.campanaro@montserrat.edu OR Curator of Education\, Maggie Cavallo: maggie.cavallo@montserrat.edu to schedule a visit. \nwww.franklinevans.com
URL:https://www.montserrat.edu/event/franklin-evans-juddrulessept-17-dec-13-2014/
LOCATION:Montserrat Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://www.montserrat.edu/wp-content/uploads/2023/12/Franklin_Evans-35.jpg
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