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DTSTART;VALUE=DATE:20201106
DTEND;VALUE=DATE:20201108
DTSTAMP:20260419T054753
CREATED:20231220T195617Z
LAST-MODIFIED:20240108T165755Z
UID:2231-1604620800-1604793599@www.montserrat.edu
SUMMARY:INDUSTRY 3 : CELL
DESCRIPTION:Gallery Hours\nBy appointment \nNovember 6: 10am-5pm\nNovember 7: 12-5pm \nCreated in 2019\, Industry is a pop-up event embracing the ever-changing idea of what it means to show art today and be active among the art industry: your fellow creators. The goal is to share the creations and ambitions of emerging artists in the Massachusetts area. Due to the coronavirus Industry had to adopt new ways of showing work and developed a 3 part hybrid event. The first element is a limited capacity\, socially distanced gallery show. The second is TACHYPSYCHIA\, a walk-through installation created by ‘anonymous’ and displayed by the Industry team. Finally\, a live stream will broadcast music\, short films\, and more. \nGALLERY ARTISTS \nCaroline Bagenal\, Tyler Cole\, Savanah Cornell\, Sophia Dunzelman\, Cali Esposito\, Max Foster\, Iyanna Hall\, Allison Heckman\, Maeve Lally\, Nicholas Mancini\, David Mshar\, Denali Musgrave\, Saya Norton\, Ong Jing Ren\, Mollie Ralston\, Matthew Rucki\, Erein James Ruiz\, Thomas Rutigliano\, Emily Scally\, Cameron Silva\, Ethan Smith\, Andrew Tricoche\, and Holden Willard \nLIVESTREAM ARTISTS \nAnonymous\, Alex Babcock\, Pleasure Coffin\, Tommy Cosimano\, Sophia Dunzelman\, Carter Fluckiger\, Charles Gill\, Primal Panic \, Thomas Rutigliano\, Michael Vincent\, and Sam Rose & Kali Orna (The Backrooms Guild) \nLIVE GUEST VJs \nEthan Berry and Steve Mora \nIndustry 3: Cell in Montserrat Gallery:\n\n\nFriday 11/6 – 10-5pm \n\n\nSaturday 11/7 – 12-5pm \n\n\nTACHYPSYCHIA : an anonymous installation installed behind Hardie:\n\n\nFriday 11/6 – 5-9pm \n\n\nSaturday 11/7 – 5-7pm \n\n\nThe first ever Industry livestream where we’ll be sharing a gallery walkthrough\, student films\, performances & more:\n\n\nSaturday 11/7 – 8pm EDT on Twitch: artistsindustry \n\n\n  \nIf you are interested in viewing the gallery show and/or the TACHYPSYCHIA installation but are not a Montserrat student or faculty member you must to sign up and complete a wellness form here: SignUpGenius: Industry 3:Cell \nIf you miss any part of the event\, don’t worry! Visit the official Industry site to view the exhibition digitally: Official Industry Website \n 
URL:https://www.montserrat.edu/event/industry-3-cell/
LOCATION:Montserrat Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201030
DTEND;VALUE=DATE:20201119
DTSTAMP:20260419T054753
CREATED:20231220T195616Z
LAST-MODIFIED:20240108T165755Z
UID:2228-1604016000-1605743999@www.montserrat.edu
SUMMARY:ALL THAT AND A BAG OF CHIPS
DESCRIPTION:Hours\nOpen to Montserrat Community or by appointment. \nEXHIBITION STATEMENT: \nAll That And A Bag Of Chips presents the reality of 2020 and our own identities through a lens of abstraction. Themes of isolation\, anxiety\, and idling are revealed in Jake Ursino’s painted figures and Cam Silva’s anthropomorphic ceramic works. Both Cam Silva and Jake Ursino utilize different methods of humor to confront the human form\, in turn portraying the mundane experience that we are all familiar with. All That And A Bag Of Chips reminds us of our relationships with each other as people both socially and individually\, in a society that we’ve created for ourselves. \nCurated by Lexi Palmberg ’21 & Saya Norton ’22 \nJake Ursino\, The Social Distancer\, acrylic & coarse pumice gel on wood panel\, 2020 \n  \nCam Silva\nCeramic Sculptor ‘21\nMy work examines the spatial relationship between forms and the interconnection between interior and exterior. This exploration stems out of my own and others’ relations to the human body\, mind\, and emotion.  I am often inspired by the things around me and in nature\, I also take inspiration from the human body\, as well as emotions\, which are used to create these personified objects and forms. These ideas are usually explored through the use of ceramics with technological kinetic aspects. I am intrigued by the many ways clay can be manipulated and formed and how both humans and machines leave their mark. I like to work in the realm of human-sized proportions because it allows the viewer to relate to the form in a more personal way. This better incorporates the sculpture into our reality rather than leave it confined to a pedestal.  \n  \nJake Ursino \nIllustrator\, Painter ‘17\n    Jake Ursino is a painter and illustrator from Massachusetts. After earning a BFA in Illustration from Montserrat College of Art\, he has since explored other areas of fine art including painting\, sculpture & printmaking. Jake’s work is still rooted in illustration however\, grabbing much of his inspiration from 1990’s animation and DIY aesthetics. Overall\, Jake’s main goal as an artist is to make light of situations around him and create metaphors for a world that seems endlessly full of dark comedies. When he’s chuckling to himself while working\, he knows it’s a good idea. Whether it’s exploring feelings of isolation and depression\, reminiscing about childhood\, or attempting to look cool while eating a cheeseburger in one bite\, Jake’s main consistency in his works is that he approaches all of these things with a sense of humor and a willingness to poke fun at himself and others. The subjects may be silly\, but the work is serious.  \n    Jake has shown in several galleries in Massachusetts’ North Shore and was featured in a group show in Washington D.C. His most recent gallery show “Duck Duck Goose” was showcased at the Mingo Gallery in Beverly\, MA.
URL:https://www.montserrat.edu/event/all-that-and-a-bag-of-chips/
LOCATION:Bare Gallery\, 275 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201012
DTEND;VALUE=DATE:20201109
DTSTAMP:20260419T054753
CREATED:20231220T195616Z
LAST-MODIFIED:20240108T165755Z
UID:2225-1602460800-1604879999@www.montserrat.edu
SUMMARY:Ashleigh Johns: Moment in Q
DESCRIPTION:Gallery Hours\n24/7 \nMy work consistently explores the extension of time\, memory\, space\, sound\, and meditative qualities. Something that falls within that entire realm of thinking is that of breath. Inhale and exhale. With inhalation\, you are physically and mentally accepting something inside you- thoughts\, oxygen\, etc. When you exhale\, it is a memory of the inhale. There is some resemblance\, albeit a different form. These “Exhales” as I’m calling them\, are not just a plain white wood panel as they appear in daylight. As the sun sets\, and the day exhales\, the panels will begin to emit a blue glow- the aftermath of the day’s light and energy. As the evening and night draws on\, the glow will subside\, much as an exhale. \n(During the daylight\, the “Archives” will be visible\, but at night with lights off\, the “Exhales” will be visible.) \nAshleigh Johns creates environments that correspond to the spaces she previously transposed two-dimensionally\, shifting from paintings that reflect a sense of time\, memory\, and space to installations built of light\, video\, and sound. This transition from two-dimensional work to installation work stems from a desire formed out of necessity following the diagnosis of a demyelinating neurological disease. \nSimilar to her paintings and two-dimensional pieces\, light and color continue to command consideration in my installations. Johns introduced sound into their installation work as a mode of enveloping and grounding the viewer within the space. In taking control of that temporal space by playing with the suspension of time\, she invokes the senses to immerse the viewer in a phenomenological experience beyond thought. \nThough loosely based on places from her own memory and experiences\, her use of ambiguous sound and image allow for installations that are widely accessible to all. This also invites the viewer to apply their own experience of memory by appealing to the senses physically\, constructing a metaphysical memory space from the physical installation.
URL:https://www.montserrat.edu/event/ashleigh-johns-moment-in-q/
LOCATION:MA
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://www.montserrat.edu/wp-content/uploads/2023/12/2020-10-06-15_57_25-Ashleigh-Johns.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201012
DTEND;VALUE=DATE:20201109
DTSTAMP:20260419T054753
CREATED:20231220T195615Z
LAST-MODIFIED:20240108T165755Z
UID:2222-1602460800-1604879999@www.montserrat.edu
SUMMARY:Kristen Mallia: Memory Device
DESCRIPTION:Gallery Hours\n24/7 \nhttps://youtu.be/Nnf07gsrwq8 \nIteration is a transformative\, generative act. Something is designed\, prototyped\, tested\, edited. The acts of the archivist follow an iterative structure\, whereby a collection of memories is evaluated\, sorted\, translated\, and made real. Edits are made over time\, as distance from a memory often alters. The fact that the memory is preserved speaks to its inherent value to the archivist. It is worthy of saving.\n \nArchiving is therefore a ritual of birth\, giving new life to something that is dissolving. Ritual is iteration — a cyclical action performed over time. Repetition yields permanence\, in a way\, solidifying something in one’s mind or daily routine so as to become second-nature\, mindless\, ever present\, preserved. It is through these performances of ritual that we feel safe (in both the physical sense\, and the memorial). \nThe act of archiving demands a physical state of containment\, as well. On a large scale\, architectural spaces become the container for filing systems and information storage. In the virtual realm\, clouds and servers become this sacred store. For my younger self\, the archives were small boxes in which I placed carefully labeled objects that my future self would reflect on as documentation of youth. Today\, those boxes give way to processes and multimedia objects that catalogue experiences\, often through the lens of place. These validate my identity; places become containers for my personal experiences\, suspending certain rituals in time and geography\, and forever planting my identity in physical location. These locations\, then\, trigger emotional associations\, as well\, and their recollection\, too\, can be generative\, instigating new emotional responses\, feelings of displacement\, and inclinations to alter or embellish the original archived condition (distance makes the heart grow fonder). Objects from these moments become sacred\, too\, and their value\, with distance\, grows. The value in my work\, therefore\, comes not only from its contents\, but in its method of creation and subsequent re-presentation within new contexts. Through the ritual of iteration\, content is interpreted\, reworked\, and retouched until it is a new entity\, a modified document. \nKristen Mallia is a multimedia artist and graphic design professor based in Boston\, MA. Her work examines iteration\, collection\, and preservation through installation\, printed matter\, and time-based media. She received her BA in Electronic Media from The George Washington University\, a BFA in Graphic Design from Corcoran College of Art + Design\, and an MFA from Boston University where she was a recipient of the Constantin Alajalov Scholarship (2016\, 2017). Kristen was an Artist-in-Residence at Skaftfell Center for Visual Arts in Seyðisfjörður\, Iceland\, and recipient of an Opportunity Fund Grant from the City of Boston in 2020. Her work has been exhibited in the US and abroad. Kristen maintains an independent studio practice\, Mallia Design\, and she is currently Adjunct Faculty at Boston University\, Suffolk University\, School of the Museum of Fine Arts at Tufts University\, and Massachusetts College of Art + Design.
URL:https://www.montserrat.edu/event/kristen-mallia-memory-device/
LOCATION:Frame 301 Gallery\, 301 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200926
DTEND;VALUE=DATE:20201107
DTSTAMP:20260419T054753
CREATED:20231220T195612Z
LAST-MODIFIED:20240108T165755Z
UID:2213-1601078400-1604707199@www.montserrat.edu
SUMMARY:FROM WHAT I CAN REMEMBER
DESCRIPTION:Gallery Hours\nM-F\, 10am–5pm\nSat.\, 12–5pm \nAn exhibition that celebrates and highlights the expansive archive and gifts to the Montserrat College of Art! \nThroughout Montserrat’s 50 years as an institution we have been at the forefront of thought about the expanding realms of art. We are immensely proud of our wildly successful alumni who are leaders in countless fields\, some of whose work we have received into our archive.\nWe have also crafted thousands of exhibitions and in turn hosted thousands of visiting artists\, ranging from emerging to established. We are honored to have received gifts from these artists and their collectors. \nArtists in this exhibition include: \n\nJOSEF ALBERS\nWILL BARNET\nDEBORAH BOHNERT\nPETER BREFINI ‘07\nALEXANDER CALDER\nCLARENCE H. CARTER\nFAY CHANDLER\nCHRISTO AND JEANNE CLAUDE\nSUSAN COTTLE\nGIULIA DAVIS ‘17\nSUZANNE EVANS ‘13\nPAT FALCO\nROISIN GILLIGAN ‘18\nGUERILLA GIRLS\nGEOFF HARGADON\nAMOS PAUL KENNEDY JR.\nNICOLE KIRCHER JANI ‘01\nEBEN KLING ‘09\nNORMAN LALIBERTE\nSALLY O. LEE\nCAROLYN MILLS MAMBUCA\nDUANE MICHALS\nLARRY PRYOR\nMICHELLE REARIC\nDAVID SHARIR\nPAUL SHAKESPEAR\nANITA STECKEL\nADRIA SUTTER ‘09\n\n\nWAX NOSTALGIC // MONTSERRAT FACULTY RESPOND TO FROM WHAT I CAN REMEMBER  \nSpecial thanks to Ethan Berry\, Judy Brown\, John Colan \,Tim Harney\, Barbara Moody\, Laura Tonelli\, and Rob Roy! \n \nFay Chandler\, Taken By Surprise\, 2005
URL:https://www.montserrat.edu/event/from-what-i-can-remember/
LOCATION:Carol Schlosberg Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200914
DTEND;VALUE=DATE:20201015
DTSTAMP:20260419T054753
CREATED:20231220T195611Z
LAST-MODIFIED:20240108T165755Z
UID:2211-1600041600-1602719999@www.montserrat.edu
SUMMARY:VISIBILITY: Meghan Kausel · Erein Ruiz · Stacy Thomas-Vickory
DESCRIPTION:Gallery Hours\nOpen to Montserrat community or by appointment. \nIn collaboration with Meg Grant\, Director of the Academic Access Studio\, we proudly present  \n\n  \nVisibility:  Erein James Ruiz · Meghan Kausel · Stacy Thomas Vickory.  \nVisibility calls for the acknowledgement and recognition for artists with disabilities. The artists we have chosen to represent Visibility demonstrate a strong sense of personal expression not only in their work but with their voices. Combined together\, we see a group of artists using marks and imagery to help identify and express their own experiences and identities. \nVisibility presents a range of clarity\, with light and darkness; the darkness painted over the walls invites the viewer to look harder and become more aware and mindful of the environment and community we surround ourselves with. Visibility invites everyone to take a new perspective and welcome personal expression in the changing environment we find ourselves in. We invite anyone struggling to find support with their own practice to reach out to Meg Grant and to hear the artists of Visibility speak about their own personal experiences.  \n  \nMeghan Kausel\nAlumni ‘17\nPrintmaking\, automatic drawing\, mark making \nMeghan Kausel is a North shore based artist and gallery intern\, working in Beverly\, MA. Meghan is a graduate of Montserrat College of Art with a BFA in Fine Arts\, with a concentration in Printmaking and an Art History minor. Meghan has shown in 301 Gallery\, Off the Record\, Schlosberg Gallery\, 222 Cabot Gallery\, Mingo Gallery\, and Gallery Naga. Her monochromatic prints and drawings focus on the exploration of automatic movement through mark making \n  \nErein James Ruiz\nStudent ‘22\nInterdisciplinary\, mixed media\, painting \nErein James Ruiz is an interdisciplinary artist who works through multiple mediums and various motifs. The artist make sure to not only challenge themselves in creating new original work but in consideration of what they want to understand. \n“Art has always been a rewarding and important aspect of my life. Pushing me to understand my own self-worth and my own aspirations as an individual. Concerning the Visibility Show and its aspirations as a show\, I have a special respect for moments in life that aim to direct audiences to the awareness of those who have become less able to express and understand.” \n\n  \nStacy Thomas-Vickory\nFaculty and Alumni ’91\nInterdisciplinary\, mixed media\, drawing\, and collage \nStacy Thomas-Vickory is a collector of images\, marks\, moments and visions. The current work in collage reflects hours of aimless wandering through nature and discarded imagery. Combining varied interpretations of the natural world\, they offer visual incantations whispered in dark times. \n\nCurated by Saya Norton ’22 and Alexis Palmberg ’21.
URL:https://www.montserrat.edu/event/visibility-meghan-kausel-%c2%b7-erein-ruiz-%c2%b7-stacy-thomas-vickory/
LOCATION:Bare Gallery\, 275 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200907
DTEND;VALUE=DATE:20201005
DTSTAMP:20260419T054753
CREATED:20231220T195610Z
LAST-MODIFIED:20240108T165755Z
UID:2208-1599436800-1601855999@www.montserrat.edu
SUMMARY:Bruce Orr: Handshadow Pixie Parade
DESCRIPTION:Gallery Hours\nViewable 24/7 from street \nThis mural shows a young artist holding her hand up to make a shadow that transforms into a dragon. Behind her is a parade of creatures flying towards a blue and green planet. Bruce strives to inspire others with this narrative. Especially in times of great oppression\, creative people still find ways to create. That perseverance is/was/and always will be inherently healthy for our country. \nBruce writes “When I was a little kid I made puppet shows behind our couch. I made a series of books called “The Wacky Monster Dictionary” in which each letter of the alphabet had four creatures I invented. I made wooden boats and set up shop in front of my house in Delaware City. It never mattered to me that business was not booming in my little town next to an oil refinery. What mattered is that I was doing it\,doing it myself and sharing it with the world. In my lifetime I created a puppet company out of trash\, self published comics that I printed at kinko’s and painted lots of murals in places that I felt were special\, like SCRAP (the School and Community Reuse Action Project) in Portland\, Oregon. My favorite things are monsters\, robots\, bugs and spaceships. I’m an illustrator\, painter\, puppeteer\, muralist\, cartoonist\, educator and Art Therapist. Since getting my master’s degree in 1996\, the only guy in my class\, I have worked exclusively in the arts\, because it’s what I love. For a lot of us\, art stirs the soul. It has never been enough for me to just make art alone. I have always worked in the public\, from psychiatric institutions to farmer’s markets. The recurrent themes of all of my artwork are environmental stewardship\, being a weirdo and holding on to the magical energy of the boy who turned his attic into a spaceship.” \nBruce Orr is an Art Therapist at RAW Art Works
URL:https://www.montserrat.edu/event/bruce-orr-handshadow-pixie-parade/
LOCATION:MA
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200817
DTEND;VALUE=DATE:20201108
DTSTAMP:20260419T054753
CREATED:20231220T195609Z
LAST-MODIFIED:20240108T165755Z
UID:2203-1597622400-1604793599@www.montserrat.edu
SUMMARY:ADVOCACY: STUDENTS PROJECTS FUNDED BY THE LDFA
DESCRIPTION:Gallery Hours\nM–F\, 10am–5pm \nThe Learning Disabilities Foundation of America (LDFA) grants funds to organizations and institutions each year that promote awareness and education about learning disabilities. Located in Pittsburg\, Pennsylvania\, the LDFA provides funds for research and education and to broaden the base of public awareness in the field of Learning Disabilities. The Foundation provides support for charitable\, scientific\, literary or educational purposes\, and specifically for the accurate identification\, ongoing evaluation and complete education of and services for children and adults with learning disabilities. \nMeagan Grant\, Director of the Academic Access Studio and Blyth Hazen\, Animation and Interactive Media Faculty\, submitted a grant proposal and the LDFA awarded money for the two projects seen here. The focus of both of these projects was self-advocacy. The transition from high school to college can be a challenging one and students with learning disabilities must quickly learn to advocate for themselves. This task can be daunting with new expectations\, new instructors\, and a new environment. It was the goal to make both of these projects entertaining\, engaging\, and informative. \nTwo teams of students worked diligently to create both of these projects through research\, development\, collaboration\, and creation. Managing their course load was difficult enough\, but then the onset of COVID-19 posed a new hurdle. Each of these artists continued with dedication and enthusiasm throughout a stressful and uncertain time. \nWe are proud to present: \nKeith Davis ’22 & Deonne Sousa ’20\nOur Guide to Self Advocacy\nDigital animation\, 2020 \n\nDorian Eason ’20 & Anya Voshchullo ’21\nPawsabilities: Self Advocacy in College\nVideo game\, 2020 \n \n  \nIn spring 2020\, we were proud to have the creators of the projects speak with Industry Professionals! \n\n  \nKeith Davis and Deonne Sousa in conversation with Taylor K. Shaw\, CEO/Founder of Black Women Animate! \n\n  \nDorian Eason in conversation with Game Designer\, Illustrator\, and Educator\, Abe Tena!\nhttps://youtu.be/hfdjOuqbgOE \n\nPlayable game available here.
URL:https://www.montserrat.edu/event/advocacy-students-projects-funded-by-the-ldfa/
LOCATION:MA
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200803
DTEND;VALUE=DATE:20201004
DTSTAMP:20260419T054753
CREATED:20231220T195605Z
LAST-MODIFIED:20240108T165755Z
UID:2195-1596412800-1601769599@www.montserrat.edu
SUMMARY:Andrew Tricoche - Break The Frame
DESCRIPTION:Gallery Hours\n24/7 \nFor my largest mural to date\, I wanted to utilize the location to include a message to passerby’s: ‘BREAK THE FRAME’. ‘Frames’ can be anything in your life that are keeping you from having new and exciting experiences. I attempt to break my frames each day\, by constantly working to push my art somewhere new and allowing my mind to be challenged by different ideas. What are your ‘frames’? \n \n  \n  \n  \n  \n  \n  \n  \n  \nAndrew Tricoche is a Puerto-Rican artist born and raised in Lowell\, MA. He was the middle child to a family of 5\, not including his mother who raised them single-handedly. At a young age\, Andrew realized his talents and interest in art and would compete with his siblings and peers. That inevitably led to his pursuit of the arts – from focusing his studies at Greater Lowell Tech in Graphic Design to getting his BFA at the Montserrat College of Art in 2019. He now works as the Graphic Designer for the Massachusetts Department of Transportation and continues to pursue other venues of creation with his spare time. This includes painting murals\, taking commissions\, and just making art for the sake of having fun. \n\n  \n 
URL:https://www.montserrat.edu/event/andrew-tricoche-break-the-frame/
LOCATION:Frame 301 Gallery\, 301 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200717
DTEND;VALUE=DATE:20200913
DTSTAMP:20260419T054753
CREATED:20231220T195601Z
LAST-MODIFIED:20240108T165755Z
UID:2189-1594944000-1599955199@www.montserrat.edu
SUMMARY:SOME GLIMPSE OF LIFE
DESCRIPTION:Gallery Hours\nM–F\, 10am–5pm\nSat.\, 12–5pm \n“Teresa Baker\, Carly Glovinski\, and Emma Rhodes redefine the structural design\, patterns\, and texture inherent in everyday materials. They create familiar objects that behave strangely and strange objects behave ordinarily. Their work is intentionally peculiar and precarious. It challenges our assumptions about the things we interact with every day\, like the things we hold and the things that hold us. Some Glimpse of Life is an obfuscation of the familiar and strange– the behavior of objects and materials– the magnification of nostalgia and the overlooked– the moments of life and the everyday.”\n–Kevin Lucey \n  \nTeresa Baker\nteresabaker.com \nTeresa’s mixed media work has much in common with gestural abstract painting\, creating passages of saturated and gradient color and juxtaposed textures. Her often large-scale works evoke art historical antecedents from Rothko and Klee as well as traditional loom\, map-making\, and the natural topography of the Northern Plains. Her abstract “landscapes” however are not at all paintings — instead\, she works in a collage-like method incorporating textiles and unconventional materials from AstroTurf to buffalo hide\, felt to beads and basket-weaving. In this way\, she honors both her modern aesthetic and the materials and cultural metaphors of her childhood. Baker is the newest recipient of the Ucross Foundation’s Fellowship for Native American Visual Arts. \n  \nCarly Glovinski\ncarlyglovinski.com \nRooted in observation and inspired by an interest in handicraft techniques and processes\, Carly Glovinski makes paintings\, sculpture\, and works on paper that often teeter between representation and abstraction. Glovinski’s work often simulates or depicts everyday household objects and uses the geometric patterns and structures found in textiles as a springboard for exploring the abstract. Her practice is informed by the resourceful attitudes associated with the domestic craft tradition as well as a reverence for nature and the great outdoors. \nGlovinski is represented by Morgan Lehman Gallery in New York\, NY. She has been awarded residencies at the Studios at MASS MoCA (North Adams\, MA); Teton ArtLab (Jackson\, WY); and the Vermont Studio Center\, and has received grants from the New Hampshire Charitable Foundation\, the Berkshire Taconic Community Foundation\, and the Blanche Colman Trust. She has had solo exhibitions at Colby Museum of Art (ME); Morgan Lehman Gallery; Indianapolis Contemporary; and Carroll and Sons (Boston\, MA).  \n  \nEmma Rhodes\nemmarhodes.art \nDrawing from a childhood enchantment with utilitarian objects\, Emma Rhodes makes sculptures and textiles with a focus on the traditional craft of handweaving. \nRhodes’ work is an on-going study of materiality — a pairing of objects that are handmade with a delicate touch and items which are fabricated with utility and durability in mind. An emphasis is placed on the manner in which these works are displayed (bundled\, piled\, stacked\, draped\, folded) to create a scene that is simultaneously familiar and strange. \nRhodes has had solo exhibitions at The Hallway Gallery (Boston)\, Room 68 (Provincetown) and Anthropologie (Cambridge). Her work was included in the benchmark exhibition Fiberart International at the Society for Contemporary Craft (Pittsburgh) in 2016. Her studio is located in Dedham\, Massachusetts. \n  \nhttps://youtu.be/_Ka-dVDmhE4
URL:https://www.montserrat.edu/event/some-glimpse-of-life/
LOCATION:Montserrat Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200713
DTEND;VALUE=DATE:20200913
DTSTAMP:20260419T054753
CREATED:20231220T195600Z
LAST-MODIFIED:20240108T165755Z
UID:2186-1594598400-1599955199@www.montserrat.edu
SUMMARY:WELCOME TO THE FUTURE\, I HATE IT HERE: MIKE HINSON
DESCRIPTION:Gallery Hours\nM–F\, 10am–5pm\nSat.\, 12–5pm \nWELCOME TO THE FUTURE\, I HATE IT HERE is a series of posters illustrating a humorous vision of a reality that is unfortunately not so far away. Using a recurring set of characters\, design elements\, and classic cyberpunk references to create a shared world\, each poster laughs through the tears of realizing that you’ve been trapped in a futuristic hellscape. \n\n  \nMike Hinson is an illustrator and designer from Wilmington\, Delaware currently based in Brooklyn\, New York. His work is heavily influenced from years of watching too many cartoons\, listening to too much rap\, and playing too many video games.Outside of his personal artistic practice\,  he was a longtime illustrator for Buzzfeed creating designs for hundreds of articles. Currently he is a Creative Designer at Tik–Tok. \n\nHave you received your UPGRADE? \nHinson developed a specific Instagram Filter in conjunction this exhibition\, download it here:\nhttps://www.instagram.com/ar/2163271417153018/ \n  \nPress: \nWelcome to the Future\, I Hate it Here\, Cate McQuaid\, The Boston Globe
URL:https://www.montserrat.edu/event/welcome-to-the-future-i-hate-it-here-mike-hinson/
LOCATION:Carol Schlosberg Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200710
DTEND;VALUE=DATE:20201211
DTSTAMP:20260419T054753
CREATED:20231220T195602Z
LAST-MODIFIED:20240108T165755Z
UID:2192-1594339200-1607644799@www.montserrat.edu
SUMMARY:JACKSON HALEY
DESCRIPTION:Gallery Hours\nBy appointment \nMy work draws inspiration from the worlds of pop culture\, folklore and weird history. When working with pop culture and folklore\, I take phrases and song lyrics and explore them through different typographic elements. Letterpress printing allows me to work directly with physical pieces of type\, which limits what I am able to design with while pushing me to explore the same few typefaces in different ways. With these limitations I create designs that give common phrases new life\, by emphasizing different words to influence how the reader perceives these phrases. When working with history\, I embrace the history of letterpress printing as a means of spreading information in the form of newspapers and headlines. Taking design inspirations from the justified text in old newspapers\, I create dense blocks of type with enough information to walk away with a knowledge of whatever topic is at hand. Letterpress printing is a process that is rife with tests and misprints. Instead of discarding these I hold on to them to create monoprints\, layering different prints on top of one another until a new print is made. These become new\, one of a kind pieces\, retaining the process of how it was made with multiple layers distorting and abstracting letterforms and images that are often easily read and understood. \nJackson Haley is a letterpress printer living and working in Massachusetts. Graduating from Montserrat College of Art in 2018 with a concentration in printmaking\, he then fell headfirst into the world of letterpress printing by interning at Hatch Show Print in Nashville\, Tennessee soon after graduation. Upon returning to Massachusetts\, he began working as a printer for letterpress shops in the Boston area\, while building up a small print studio of his own to continue making prints. He is currently the printer for Albertine Press in Cambridge\, has also printed for Goosefish Press and Smudge Ink and has taught workshops at The Brickyard Collaborative. \nhttps://daysleeperpress.carbonmade.com/
URL:https://www.montserrat.edu/event/jackson-haley/
LOCATION:MA
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200615
DTEND;VALUE=DATE:20200620
DTSTAMP:20260419T054753
CREATED:20231220T195558Z
LAST-MODIFIED:20240108T165755Z
UID:2180-1592179200-1592611199@www.montserrat.edu
SUMMARY:HERE
DESCRIPTION:Various Locations \nReception N/A \nHERE is a series of performances projected across numerous digital platforms. It is an investigation\, reaction\, and dialogue about Art on the Screen. \nHERE explores the trivium of subject\, camera\, and observer. It concerns itself with time\, in that the works are temporal and permanent; performance and document. It ponders the voyeuristic paradigm many are navigating in the age of COVID-19 where we are physically separated yet invited into each other’s homes.  Moments happen and are held in no place places. They are here\, anywhere\, everywhere\, and nowhere. \n  \nPERFORMANCES\nMonday\, June 15\n \n\nJimena Bermejo\nTabled\n2:00–6:00pm\nYOUTUBE LIVE \nTuesday\, June 16 \n\nMandy Cano Villalobos\nSanities and Solitudes: Blow (Birthday)\n7:00–7:30pm\nFACEBOOK LIVE \nWednesday\, June 17 \n \nMorehshin Allahyari\nShe Who Sees the Unknown (Aisha Qandisha)\n7:00–7:30pm\nVIMEO \nThursday\, June 18 \n\nKirk Amaral Snow\nUntitled\n7:00–7:30pm\nINSTAGRAM LIVE \nFriday\, June 19 \n\nJovan Brock\n6:30–6:40pm\nINSTAGRAM LIVE \n\nJylik Buissereth\nSurvey and Herd\n7:00–7:30pm\nINSTAGRAM LIVE \n  \nARTISTS\nJimena Bermejo\nhttps://www.jimenabermejo.com/ \nJimena Bermejo is a dancer\, choreographer\, performance artist\, and dance educator. She holds an MFA from Massachusetts College of Art and Design’s Studio for Interrelated Media and a BFA in Dance from The Boston Conservatory. Bermejo is the Director of the Dance Program at The College of the Holy Cross in Worcester and is currently faculty at Berklee College of Music\, and The Massachusetts College of Art and Design. \nAfter twenty years as a performer on stage in theaters striving for perfection\, Bermejo is now interested in imperfection and in breaking the separation between audience and performer. Her technique includes movement\, text\, and performance actions to interact with the audience and bring them closer and into the work. Experimenting with closeness and live feed video\, she uses her own experiences\, good and bad\, from her personal history which include issues of race\, trauma\, growing up in Mexico in a family of artists\, as a mother\, as a cat owner\, all to draw emotional content in her work and frame the performance space as a place where both the viewer and artist can feel safe to share it. \nMandy Cano Villalobos\nhttps://www.mandycano.com/ \nMandy Cano Villalobos is an interdisciplinary artist whose projects span installation\, painting\, drawing\, performance\, sculpture and video. She received her MFA from The George Washington University in Washington\, DC. and currently resides in Grand Rapids\, MI. Cano Villalobos has exhibited and performed both nationally and internationally. \nHer work is informed by her life experiences and focuses on the intersection of chronological progression\, personal memory\, and the atemporality of ritual. Cano Villalobos works in a variety of genres seeking to utilize diverse approaches in order to situate her personal history and practice within a larger\, human history. Her projects are a materialization of time\, a record of her process and life. \nMorehshin Allahyari\nhttp://www.morehshin.com/ – http://shewhoseestheunknown.com/ \nMorehshin Allahyari is an artist\, activist\, writer\, and educator. She was born and raised in Iran and moved to the United States in 2007. Her work deals with the political\, social\, and cultural contradictions society faces every day. She thinks about technology as a philosophical toolset to reflect on objects and as a poetic means to document our personal and collective lives and struggles in the 21st century. Allahyari is the co-author of The 3D Additivist Cookbook in collaboration with writer/artist Daniel Rourke. \nAllahyari has been part of numerous exhibitions\, festivals\, and workshops around the world. She is the recipient of the leading global thinkers of 2016 award by Foreign Policy magazine. Her 3D Additivist Manifesto video is in the collection of San Francisco Museum of Modern Art\, and recently she has been awarded major commissions by Rhizome\, New Museum\, Whitney Museum of American Art\, Liverpool Biennale\, and FACT to work on developing different components of her current project She Who Sees The Unknown. \nKirk Amaral Snow\nhttps://www.kirkamaralsnow.com/ \nKirk Amaral Snow is a Baltimore-based intermedia artist. He holds BA’s in Art History and Studio Art from the University of Rhode Island and an MFA from Tufts University/School of the Museum of Fine Arts\, Boston. \nHis practice investigates the relationship between the built world and performative aspects of culture. Shaped by the DIY Punk scene as much as visual art\, his work finds a middle ground between the minimalism of early Wire\, the poetic cultural critique of DC’s Revolution Summer bands\, and the post-minimal and conceptual art practices of the 60’s and 70’s. \nInfluenced by the idea of “vernacular building”\, Amaral Snow finds a similar poetics to what Rolling Stone’s Paul Nelson saw in the Ramones when he described them as “authentic American primitives”. In designing sculptural objects and performances\, this idea becomes the lifting off point to explore the shifting\, slippery\, and conflicted US national identity through construction-grade building materials placed in simple\, yet poetic relationships. The materials enact gestures where the temporary is made permanent\, the disposable is made monumental\, and the transient becomes fixed. \nJovan Brock\nhttps://www.instagram.com/zhayday13/ \nBrock is a Military Veteran and current student at the Rocky Mountain College of Art and Design. He has attended rallies throughout Colorado to demand justice for George Floyd\, Breonna Taylor\, Sean Reed and others who have died at the hands of police. \nJylik Donell Buissereth \nJylik Donell Buissereth\, born and raised in New York City\, has pursued art since childhood. Attending the High School of Art and Design allowed him to explore graphic design as an artistic passion\, but he did not begin to fully flourish as an artist until declaring sculpture as his major in college. He has exhibited in several shows across campus\, namely the I/Object Show as well as The Thing Is\, both held in Montserrat’s 301 Gallery. Buissereth received his BFA at Montserrat College of Art in 2020. \nWith the clash of bright toxic colors and stimulating designs\, born from his love of graffiti and street art\, Buissereth channels all the contemporary culture and influence he absorbs into artistic expressions of the mind. A large part of what drives his practice is the pursuit of the overlooked. He seeks out the beauty in things that have been abandoned and left behind. His material choice is based around what he considers to be pillars of our society metal\, stone\, and glass. Buissereth finds excitement in taking a table\, a man-made structure or object built from these materials\, found in the trash and bringing new function to it as an automatic expression.
URL:https://www.montserrat.edu/event/here/
LOCATION:Montserrat Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200423
DTEND;VALUE=DATE:20200430
DTSTAMP:20260419T054753
CREATED:20231220T195555Z
LAST-MODIFIED:20240108T165755Z
UID:2168-1587600000-1588204799@www.montserrat.edu
SUMMARY:Error Code H306: A+IM Thesis Showcase 2020
DESCRIPTION:Gallery Hours\nT–F\, 11:30am–2:30pm\nSat.\, 12–5pm \nReception: April 23rd\, 5–8pm \nJared Aprile\nDorian Eason\nTatianna Feliciano\nEmma Gallant\nAlexander Gunther\nEmma Ingalls\nBrendan Maida\nJessica Manning\nCliff Pierre\nRose Sauriol
URL:https://www.montserrat.edu/event/error-code-h306april-23-29-2020/
LOCATION:MA
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200414
DTEND;VALUE=DATE:20200419
DTSTAMP:20260419T054753
CREATED:20231220T195556Z
LAST-MODIFIED:20240108T165755Z
UID:2171-1586822400-1587254399@www.montserrat.edu
SUMMARY:LATE BLOOMER
DESCRIPTION:Gallery Hours\nT–F\, 11:30am–2:30pm\nSat.\, 12–5pm \nReception N/A \nLate Bloomer connects our exploration of physical and emotional placements\, through politics\, travel\, abandoned homes\, printmaking\, and allegories. \nAnnie is trying to educate an uninformed audience on Asian-US relations while also assessing her own placement and privilege as an Asian in America. Housed in an ominous black box\, the roughly 20 minute film will be a compilation of archival footage from Asian and American newcasts\, war footage\, propaganda\, films and plays\, and home movies. \nCayla has been working on a series of photographs that relate to fear and anxiety\, as well as exploring the idea of spirituality. What she is portraying is ambiguity\, a sense of mystery and/or chaos. Pairing text with her digital and film images she has created narratives in hopes to evoke questions\, concerns\, or relations to the viewer. These “anxiety inducing” photographs will be paired with self portraiture work\, a way to connect the artist to the anonymous answers of the phrases to herself\, as well as representing this theme of fear as a personal one. Along with hanging and framing photographs on the wall (around 15 prints)\, there will also be zines on display and possibly for sale. \nDenali has been working on a series of monotypes using orbs to depict herself and the way she experiences and processes emotions. She has recently been exploring the use of non-rectangular paper and placement of the orbs to create the illusions of the orbs pulling the paper in different directions. Embossment has also played a major role in her work to play with the idea of something having been or something that was. Denali plans on hanging her work salon style just above eye level to create the feeling of the orbs looking down on the viewer. \nMareson is working on a photo series focused around abandonment. Through black and white film he captures the traces of lives once lived in an abandoned homestead in Boxford\, and his own ghostly marks as he enters and changes the space. The photographs will be up on display in a recreation of the house\, and a soundscape of the building will be playing inside as well to give the viewer the feeling of being inside the building. \nDavid has been working on a series of figurative monoprints. The prints are double-edged in regards to his studio practice as well as in his use of the medium. In one regard the prints are about the growth of monoprinting in his work from a side-involvement\, to a more fully realized practice in his painting process. Aside from the technical exploration\, the monoprints are figurative in nature. The self portraits are heavily influenced by David’s state of mind throughout the semester and last year . The ideas range from experiences in trying to unlearn some of the reservations within his own practice\, to personal afflictions regarding relationships with himself and others. The struggle is more evident in the handling than the content of the prints. The prints are to be framed and hung traditionally on the walls. \nZeynep has been working on a series of paintings on glass with photographs. She is using oil paints on 12”x16” glass to create different foregrounds and backgrounds. Then specifically choosing a diverse photograph to go with the painting. She wants to bring attention to the idea of breaking realism. The story of The Allegory of the Cave by Plato\, inspired her to show the idea of how something may not seem what it is. \n 
URL:https://www.montserrat.edu/event/late-bloomerapril-14-18-2020/
LOCATION:MA
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200402
DTEND;VALUE=DATE:20200409
DTSTAMP:20260419T054753
CREATED:20231219T003137Z
LAST-MODIFIED:20240108T165755Z
UID:2433-1585785600-1586390399@www.montserrat.edu
SUMMARY:OMEGA POINT
DESCRIPTION:Gallery Hours: By appointment \nReception: N/A \nOur show is about tying together elements of space and color through two dimensional and three dimensional works\, in a way that plays with surfaces and patterns while bringing in our own experiences and personalities as the basis for our content. Each of us utilize overlapping elements throughout our work\, for example: the use of sculptural form within Jylik\, Jaime\, and Matthews three dimensional works\, which form connection to the elements of shape\, space\, and depth within Shannon\, Jack\, and Matthews two dimensional works. Whether it be through abstraction or figuration\, each of us hone in on the fundamental presence of the elements of art (i.e. space\, color\, abstraction\, figuration) and apply various contemporary approaches. Through this we explore the line between the real and the abstract\, during a time where this line is fleeting. \nFeaturing:\nJaime Fox\nJack Fay\nJylik Buissereth\nMatthew Rucki\nShannon Herrick\nSylvia Burger
URL:https://www.montserrat.edu/event/omega-pointapril-2-8-2020/
LOCATION:301 Gallery\, 301 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200324
DTEND;VALUE=DATE:20200329
DTSTAMP:20260419T054753
CREATED:20231220T195553Z
LAST-MODIFIED:20240108T165755Z
UID:2162-1585008000-1585439999@www.montserrat.edu
SUMMARY:Disposition of the Moment
DESCRIPTION:Reception: N/A \nEach artwork shares insights and moments from the perspective of the artist’s world whether it be a fantasy world of rabbits and scissors or a world grounded in the morality of sinners and saints. We each capture fleeting moments of inspiration into permanent fixtures of paint\, sculpture\, and the blunt photograph\, and arrange them into this collective of shared perspective.\nThe artists belong together because they share the same passion to create images that are important to their life and world. They want to capture the rules\, time and space of their environment\, and give the public a chance to be enveloped into their world. The painters share similar loves of bold color and their method of abstraction\, the sculptor and photographer share a realistic view of personal world boundaries\, and the creative inbetweeners share a sight only they can describe and see through the strange and fantastical. It is a collective of line\, color and shape that inserts you into the abode of the artists and how they arrange the moment. \nFeaturing: \nHunter Lamore\nGabrielle Gomez\nVanessa Wyman\nMelissa DiCostanzo\nSusan Drennan\nJared Adams\nMargaret Skerry\nDillian McGahey
URL:https://www.montserrat.edu/event/disposition-of-the-momentmarch-24-28-2020/
LOCATION:MA
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200314
DTEND;VALUE=DATE:20200429
DTSTAMP:20260419T054753
CREATED:20231220T195551Z
LAST-MODIFIED:20240108T165755Z
UID:2155-1584144000-1588118399@www.montserrat.edu
SUMMARY:BREADTH: REFERENCING PHOTOGRAPHY
DESCRIPTION:Marblehead Arts Association\n8 Hooper Street\nMarblehead\, MA 01945 \nGallery Hours\nTue-Sun\, 12–5pm \nReception: March 15th\, 2–4pm \nThis exhibition explores Montserrat faculty’s unique relationship to the photographic media. As the title implies\, we aim to exhibit the breadth of the medium and its ever evolving definition; from traditional lens-based creations to computer generated. The artist-faculty of Montserrat wade the grey waters between made and taken\, representational and abstract\, staged and found\, analog and digital\, and the myriad of false dichotomies. Through this we discover that photography is no stable media bordered with dogmatic rules\, rather it is a reflection of changing technology\, a barometer for observation\, and a vehicle to explore territories of art heretofore unknown.\nEthan Berry is a producer and designer for film\, video\, and performance events\, he is a past president of the Board of Directors of the Boston Film/Video Foundation\, which was founded in 1976 in order to provide for artists an organizational support system for the creation of independent film video. \nRon DiRito‘s work is based on the time-honored traditions of documentary photography but other projects source various materials which include original and discreet imaging\, discrete and vernacular writing\, sampling\, appropriation\, printmaking\, installation\, artist’s books\, audio and video media and super 8mm film. \nJulia Buntaine Hoel is interested in what has proven to be the most complex puzzle\, the epitome of emergence\, the deepest well our sciences have examined; the brain. The instantiation of form and function united\, from the molecular to the level of Neuroscience as a discipline\, her work addresses the beliefs\, theories and findings of the biological phenomenon of consciousness \nJesse Kahn currently employs photography\, graphic design\, traditional handicrafts\, and sculptural techniques to explore Gay male sexuality and concerns over the division between public and private space\, freedom of expression\, and between personal & national security. \nGabrielle Keller is an artist and an educator. Her photographs are included in The Polaroid International Collection\, The Museum of Art at RISD\, The Fogg Art Museum\, The Center for Creative Photography\, and other corporate collections. \nJulia Buntaine Hoel\, Territory 1\, 2017. 16″ x 24″. Created from microscopy photographs\, taken by the artist\, of rhesus macaque brain slides. Printed on aluminum.
URL:https://www.montserrat.edu/event/breadth-referencing-photographymarch-14-april-28-2020/
LOCATION:MA
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200314
DTEND;VALUE=DATE:20200322
DTSTAMP:20260419T054753
CREATED:20231220T195554Z
LAST-MODIFIED:20240108T165755Z
UID:2165-1584144000-1584835199@www.montserrat.edu
SUMMARY:2020 6th Congressional High School Art Competition & Awards
DESCRIPTION:Gallery Hours\nM–F\, 10am–5pm\nSat.\, 12–5pm \nReception: March 21st\, 3:30–5pm \nMontserrat College of Art will host the Congressional Art Show and Competition for Massachusetts’ 6th Congressional District March 14-21.  The show will be displayed in the Montserrat Gallery at 23 Essex Street. A closing reception and award ceremony with Congressman Seth Moulton will be held from 3:30-5 pm on Saturday\, March 21. All are welcome. \nThe competition is open to students\, grades 10-12\, from public and private schools as well as home-schooled students from the 6th District of Massachusetts. This marks the 26th year that Montserrat has hosted this competition. Last year’s exhibit included 115 pieces from 23 institutions of learning across the district. \nEach winner will be presented with a citation from Congressman Moulton and varying levels of scholarships to Montserrat’s Summer Pre-College Program. The grand prize winning piece will be sent to Washington\, DC where it will hang in the Capitol building for one year along with winners from other Congressional districts across the country. A ceremony to congratulate all the winners will be held in Washington\, DC in June. \nEach school in the 6th district is welcome to submit up to six piece of works by students in grades 10-12. (One submission per student.) The college will jury the work and notify the schools of the winners prior to the event. All students in the exhibition and their families are welcome to attend the closing ceremony.
URL:https://www.montserrat.edu/event/2020-6th-congressional-high-school-art-competition-awardsmarch-14-21-2020/
LOCATION:Montserrat Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://www.montserrat.edu/wp-content/uploads/2023/12/CongressionalArtShow2020TitleGraphic.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200228
DTEND;VALUE=DATE:20200331
DTSTAMP:20260419T054753
CREATED:20231220T195552Z
LAST-MODIFIED:20240108T165755Z
UID:2158-1582848000-1585612799@www.montserrat.edu
SUMMARY:African Masks: From the Collection of the NCAAA
DESCRIPTION:Gallery Hours\nOpen to Montserrat Community or by appointment \nReception: March 4th\, 11:30am–12:30pm \nIn a joint collaboration between the Montserrat College of Art and the National Center for Afro-American Artists\, students David Mshar ’20\, Alexis Palmberg ’21\, and Matthew Rahming ’23 teamed up with educator\, artist\, and curator Ari Montford to bring a selection of African Masks to campus. The exhibition encouraged conversations about art history\, Eurocentrism\, cultural appropriation\, cultural exchange\, and beyond. \nSpecial thanks to Dr. Barry Gaither Director\, NCAAA \n  \nCo-curator Ari Montford writes: \nHow can we define cultural appropriation as it pertains to our creative practice? This is the focus of the exhibition African Masks. \nThe works on view are from the collection of the National Center of Afro American Artists located in Boston MA.(NCAAA) As we move forward with discussions about inclusion and diversity at Montserrat we need safe spaces for identifying ways of creating a cultural language of tolerance and belonging. \nTherefore\, the work is about a way of exploring a social construct of design ethics\, to bring a clearer understanding or lens to the intersection of social ideas and programming\, impacting how we come to see the African masks on exhibit. How do these works impact and inform our creative practice?
URL:https://www.montserrat.edu/event/african-masks-from-the-collection-of-the-ncaaafebruary-28-march-30-2020/
LOCATION:Bare Gallery\, 275 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200224
DTEND;VALUE=DATE:20200229
DTSTAMP:20260419T054753
CREATED:20231220T195550Z
LAST-MODIFIED:20240108T165755Z
UID:2151-1582502400-1582934399@www.montserrat.edu
SUMMARY:ADDRESSING PRESENCE
DESCRIPTION:Gallery Hours\nM-F\, 10am–5pm \nReception: February 28th\, 6–8pm \nMy practice\, as an interdisciplinary artist\, stems from an intense investigation of time. I imagine time visually\, as two parallel lines: the line of deep geologic time\, and the line of one human life. The lines stretch ahead and behind with no end or beginning. Deep geologic time seems incomprehensible. We don’t know for certain its origin and we don’t know where it will end. However\, a human life is equally uncertain. We are as ephemeral as a mountain range succumbing to erosion\, or a glacier filled pass at the height of summer. We appear\, linger and disappear. A vapor\, to solid\, to dispersal. Both lines of time exist inside our bodies\, parallel\, at two different scales. \n-Leah Rafaela Ceriello \nA component of this exhibition will be group re-performances and interpretations of Leah’s pieces. \nMonday\, February 24\n2:00–7:00PM – the movement of grief \nTuesday\, February 25\n2:00–7:00PM – unMaking \nWednesday\, February 26\n1:00–7:00PM – 180 minutes/erratics \nThursday\, February 27\n2:00–7:00PM – Untitled (ice) \nFriday\, February 28\n2:00–7:00PM – Untitled (stone/breath)\n6:00–8:00PM – Closing Reception \nTuesday\, March 3\nREFLECT: ADDRESSING PRESENCE\n11:30am–12:20pm\nMontserrat Gallery \nTuesday\, March 10\nReflecting Presence – P2P Discussion\n11:30am–12:20pm\n2nd Floor\, Hardie Building
URL:https://www.montserrat.edu/event/addressing-presencefebruary-24-28-2020/
LOCATION:Montserrat Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200201
DTEND;VALUE=DATE:20200216
DTSTAMP:20260419T054753
CREATED:20231220T195549Z
LAST-MODIFIED:20240108T165755Z
UID:2148-1580515200-1581811199@www.montserrat.edu
SUMMARY:LOST: THEME SHOW
DESCRIPTION:Gallery Hours\nT–F\, 11:30am–2:30pm\nSat.\, 12–5pm \nReceptionL February 6th\, 5–7pm \nSubmission Deadline: January 27\, 2020\nSubmission Guidelines:  Submissions must be made around the theme of LOST. All work will need to be submitted in 248 Cabot St. Room #B208. Additionally a digital image (scan\, photograph\, etc)\, title\, medium\, will need to be sent to mcathemeshow@gmail.com.\nFormat: All work will need to be on 5”x5” cradled panels. Work created digitally or alternative surface will need to be cleanly adhered to the panel for display.\nStudents: Panels will be provided for free for current students\, while supplies last. To request a panel\, or for more information\, please contact mcathemeshow@gmail.com.\nAlumni: Panels can ordered at \nyou will be responsible for picking up work in a timely manner after the deinstall. For more information\, please contact mcathemeshow@gmail.com.\n\nartwork © Alyssa Schadhauser\n 
URL:https://www.montserrat.edu/event/lost-theme-showfebruary-1-15-2020/
LOCATION:301 Gallery\, 301 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200124
DTEND;VALUE=DATE:20200315
DTSTAMP:20260419T054753
CREATED:20231220T195546Z
LAST-MODIFIED:20240108T165755Z
UID:2136-1579824000-1584230399@www.montserrat.edu
SUMMARY:Bless Mazarura
DESCRIPTION:Gallery Hours\nM–F\, 10am–5pm\nSat.\, 12–5pm \nReception: January 30th\, 5–7pm \nBless Mazarura of Bless By Bless Couture is one of fashion’s uprising stars who has come a long way from his humble beginnings in his home-country of Zimbabwe. He moved to the USA to chase his creative dreams at the Montserrat College of Art and has since created a philanthropic movement based in fashion\, but driven by love.  \nHis first formal introduction to fashion was as a child\, observing his mother sew with love on her vintage Singer sewing machine\, while weaving her passion into the very fabric of her son’s life. Bless fell in love\, and by age 16 he had designed the first of many creations\, a sleeveless zipper vest which was the beginning of a journey into the future. \n By the year 2007 Bless knew fashion was his true calling\, and armed with the love he had in his heart\, he founded Bless By Bless Couture\, a high energy fusion of hourglass silhouettes\, zippers\, iridescent fabrics and military detail. The ready to wear collection features edgy dresses\, high-waisted skirts and sweatshirts inscribed with inspirational messages and positive affirmations. \n“My mission is to create a lifestyle of Love and Philanthropy celebrated through fashion with a message. I am more than a designer\, I am a messenger of Love.” \nIn keeping with his unwavering philanthropic mission Bless has been involved with charities ever since he created his glittering love fueled clothing line. He has designed t-shirts\, produced fashion shows and fundraisers for Susan G. Komen\, American Cancer Association\, Jimmy Fund\, Christopher’s Haven\, and more. \n The future of Bless By Bless is as least as bright as its designer’s smile\, and armed with his vision of a future energized by love and decorated by haute couture. Bless plans to continue to infuse high voltage rocker energy into luxury fashion\, and ultimately to recruit entire legions of soldiers to his ever growing BBB Army of Love. \nhttps://www.blessmaz.com/
URL:https://www.montserrat.edu/event/bless-mazarurajanuary-24-march-14-2020/
LOCATION:Carol Schlosberg Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200115
DTEND;VALUE=DATE:20200516
DTSTAMP:20260419T054753
CREATED:20231220T195548Z
LAST-MODIFIED:20240108T165755Z
UID:2142-1579046400-1589587199@www.montserrat.edu
SUMMARY:CASSANDRA LOUISE BAKER
DESCRIPTION:Gallery Hours\nBy appointment \nReception: April 9th\, 4-7pm \n  \nWe Float \nI love the water. I love the sound of it the most\, the swell and the crash\, mimic the feelings inside me. \nA body of water is a very mysterious place. To glance out into the horizon is to understand the unknowable. \nTo imagine what lies beneath its dense surface is to touch eternal darkness. \nTo gaze at how the sun flickers its light across a delicate pool is to experience warmth for a fleeting moment. \nThe water and the woods protect each other. The moon illuminates the wood’s dark shadows\, all the while highlighting the water’s glass surface in equal measure. The leaves and branches make noise to warn the sea when someone approaches its shore. The water reflects the darkest nights and clearest days\, for only the woods to see in return; a give and take. \nIt is in this sacred space our bond is internally felt. \nI’ve been there-in my dreams\, in my memory\, in my mind\, in the now. \nThis is where I go. \nThis is where I found her-floating\, free\, peaceful; Dying\, bound\, drowning. \n 
URL:https://www.montserrat.edu/event/cassandra-louise-bakerjanuary-15-may-15-2020/
LOCATION:MA
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200115
DTEND;VALUE=DATE:20200516
DTSTAMP:20260419T054753
CREATED:20231220T195547Z
LAST-MODIFIED:20240108T165755Z
UID:2139-1579046400-1589587199@www.montserrat.edu
SUMMARY:ROSE OLSON
DESCRIPTION:Gallery Hours\nM–F\, 9am–5pm\nOr by Appointment \nReception: April 9th\, 4-7pm \nRose Olson is a painter with Studios in Beverly and Boston’s South-End\, where she grew up. After graduating from Tufts University\, she taught at several colleges in the area including Montserrat College of Art where she joined their full-time faculty and earned the rank of Professor. She is a colorist\, continually influenced by the beauty of natural elements. \nColor has a sharpening aspect\, affecting our senses and intellect simultaneously. These paintings reflect my passion for color and its interaction with the beauty of natural elements. \nWood-grain patterns are exciting and varied since each is specific to what was once a living tree\, as unique as our fingerprints and as important as the colors I use. Both contribute to the meaning and structure of every work. Many layers of different colors applied one color layer at a time\, enhance each wood-grain pattern and increase the painting’s luminosity. The character of that wood affects the way the color is received\, so transparent colors continue being layered on until the painting starts to bloom. \nMy colors often change as the viewer moves\, or the light shifts. I am conscious of that interplay. Hard edges and color bands also enhance the spatial and color effects of each work revealing\, in a sense\, another way of seeing that world. \nCourtesy Kingston Gallery
URL:https://www.montserrat.edu/event/rose-olsonjanuary-15-may-15-2020/
LOCATION:MA
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200111
DTEND;VALUE=DATE:20200216
DTSTAMP:20260419T054753
CREATED:20231220T195544Z
LAST-MODIFIED:20240108T165755Z
UID:2128-1578700800-1581811199@www.montserrat.edu
SUMMARY:The Animation Show of Shows: Twenty Years and Counting
DESCRIPTION:Gallery Hours\nM–F\, 10am–5pm\nSat.\, 12–5pm \nReception: January 30th\, 5–7pm \nRon Diamond’s lifetime pursuit of creating fine art animation with artist filmmakers.\nWe are proud to announce The Animation Show of Shows: Twenty Years and Counting. The exhibition is a celebration of the legacy of this long-running animation collection\, curated by ACME Filmworks founder\, Ron Diamond. \nSince 1998\, Diamond envisioned the annual Animation Show of Shows as a way to showcase the year’s best shorts\, selected from festivals around the world\, to students and industry professionals alike. In addition to the numerous institutions\, Diamond has presented the collection at major studios such as DreamWorks\, Pixar\, Disney and many others throughout the world. \nOver the twenty-years\, works from his curation have boasted 14 Academy Award® winners\, as well as 37 nominees\, and have won major prizes at Cannes\, Annecy\, Zagreb\, Ottawa\, and Berlin. The techniques range from hand-drawn\, paint on glass and stop-motion\, to the latest computer-generated imagery\, with its ability to conjure entire worlds with astonishing verisimilitude. Together these films capture\, in the words of Andrew Stanton\, director of Finding Nemo\, “all the wit\, cleverness\, integrity\, warmth and humor that humanity is capable of\,” and have a universal appeal that makes them ideal for sharing with family and friends \nMontserrat is proud to be exhibiting the 19th Collection featuring a wide diversity of directors\, artists\, and themes\, and include: \nQuentin Baillieux (France)\, Lia Bertels (Belgium)\, Pete Docter (USA)\, Jac Clinch (UK)\, Elise Simard (Canada)\, Paul Julian and Les Goldman (USA)\, Georges Schwizgebel (Switzerland)\, Clémentine Frère\, Aurore Gal\, Yukiko Meignien\, Anna Mertz\, Robin Migliorelli\, Romain Salvini (France)\, Glen Keane (USA)\, Max Mörtl and Robert Löbel (Germany)\, Parallel Studio (France)\, Niki Lindroth von Bahr (Sweden)\, Alexanne Desrosiers (Canada)\, Tomer Eshed (Germany)\, Steven Woloshen (Canada)\, and David OReilly (USA) \nThe exhibition will also highlight the expanded works of ACME Filmworks directors\,\nWendy Tilby & Amanda Forbis (Canada)\nMichael Dudok de Wit (Netherlands)\nAleksandra Korejwo (USA)\nRaimund Krumme (Germany) \n  \nThe Ticket: The Animation Show of Shows\, Boston Globe\, Cate McQuaid \n‘A Heartfelt Eulogy”: Bryant’s animated film showing at Montserrat College\, Salem News\, Paul Leighton \nAn award-winning film featuring Kobe Bryant is part of an exhibition at Montserrat College of Art\, WBZ Radio/CBS Boston\, Carl Stevens
URL:https://www.montserrat.edu/event/the-animation-show-of-shows-twenty-years-and-counting-january-11-february-15-2020/
LOCATION:Montserrat Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200110
DTEND;VALUE=DATE:20200406
DTSTAMP:20260419T054753
CREATED:20231220T195545Z
LAST-MODIFIED:20240108T165755Z
UID:2131-1578614400-1586131199@www.montserrat.edu
SUMMARY:Amanda Beard Garcia
DESCRIPTION:Gallery Hours\n24/7 \nReception: N/A \nAmanda Beard Garcia is a graphic designer\, illustrator\, and letterer based on the North Shore of Boston. She holds a BFA in Illustration from RISD. Iced coffee\, emo music\, and snail mail are her jam. When she’s not creating\, you can usually find her wandering rock concerts\, home-improving\, reciting quotes from New Girl\, and being trailed by her six year-old Corgi\, Pica. \nhttps://amandabeardgarcia.com/
URL:https://www.montserrat.edu/event/amanda-beard-garciajanuary-10-april-5-2020/
LOCATION:Frame 301 Gallery\, 301 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191203
DTEND;VALUE=DATE:20200215
DTSTAMP:20260419T054753
CREATED:20231220T195549Z
LAST-MODIFIED:20240108T165755Z
UID:2145-1575331200-1581724799@www.montserrat.edu
SUMMARY:Expressions of Habit
DESCRIPTION:Gallery Hours\nOpen to Montserrat Community or by appointment. \nReception: December 9th\, 11:30am–12:30pm \nEmily Davis ‘21\nHolden Willard ’21\nMadison Wallace ‘22 \nCurated by David Mshar ’20 and Lexi Palmberg ’21
URL:https://www.montserrat.edu/event/expressions-of-habitdecember-3-2019-february-14-2020/
LOCATION:Bare Gallery\, 275 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191125
DTEND;VALUE=DATE:20200116
DTSTAMP:20260419T054753
CREATED:20231220T195543Z
LAST-MODIFIED:20240108T165755Z
UID:2123-1574640000-1579132799@www.montserrat.edu
SUMMARY:ZOIE STAR BLEAU: REMAINS
DESCRIPTION:Gallery Hours\n24/7 \nReception: N/A \nZOIE STAR BLEAU ’20\nREMAINS\nDocumentation of live art\, performance work\, brought to life by the marks we make with our bodies. The traces of the human body show ownership of a time and place\, and makes the statement\, “I existed here”. Narrative in this piece is just as important as the physical impressions. The urge for natural colors\, textures\, and figures inspired this series of work. Large scale paintings made on photo paper with tempera\, shaving cream\, and tacky glue.
URL:https://www.montserrat.edu/event/zoie-star-bleau-remainsnovember-25-2019-january-15-2020/
LOCATION:Frame 301 Gallery\, 301 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191120
DTEND;VALUE=DATE:20191127
DTSTAMP:20260419T054753
CREATED:20231220T195539Z
LAST-MODIFIED:20240108T165756Z
UID:2109-1574208000-1574812799@www.montserrat.edu
SUMMARY:FOUND FAMILY - Senior Thesis Exhibition
DESCRIPTION:Gallery Hours\nM-F\, 10am–5pm\nSat.\, 12–5pm \nReception: November 21st\, 5–8pm \nDeanna Amoia\nJack Depril\nSean Painter\nDean Greggs\nChristopher Williams \n 
URL:https://www.montserrat.edu/event/found-familynovember-20-26-2019/
LOCATION:Montserrat Gallery\, 23 Essex St\, Beverly\, MA\, 01915\, United States
CATEGORIES:Exhibitions
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