Posts Tagged ‘article’

Beverly Makes Boston Globe’s List of Top Places to Live in 2013

Monday, May 6th, 2013

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Beverly was named one of Greater Boston’s Top Places to Live in 2013 in The Boston Globe Magazine Sunday, May 5. The town was included among 12 other communities in Eastern Massachusetts where the real estate market is ‘sizzling.’

The commute to downtown Boston – about 40 minutes – is hardly a deterrent when a city’s got as much going for it as Beverly, located at the confluence of the Bass, Danvers, and North rivers, which form Beverly Harbor, with access to Salem Sound.

Originally an agricultural and working waterfront community, Beverly became a summer resort for city dwellers in the 1800s, and many properties built between the late 19th century and World War II still stand, from bungalows to Queen Annes. There’s also plenty of green space, and though each neighborhood, from Prides Crossing to Fish Flake Hill, has its unique charm, taken together they’re “sophisticated but very family-friendly and family-oriented” according to Patricia Marcotte, an agent with Beverly’s RE/Max Advantage.

There’s just a lot going on, and people really get to know one another. Beverly’s a beautiful place to live.”

>>Click here to see full article in The Boston Globe Magazine.

Caroline Bagenal Voted #1 Woman Artist by Big Red & Shiny

Monday, April 8th, 2013

bagenalImage: Caroline Bagenal, Toron, 2012, Cardboard, newspaper, bamboo, 10ft x 6ft x 6ft

Congratulations to Assoc. Prof. Caroline Bagenal, who was voted the #1 Woman Artist (out of 9 women artists) by the editors of Big, Red, and Shiny.

Also note that Zsusanna Szegedi, of Montserrat’s Absent | Present show, is number 5 on the list.

>>Click here to learn more!


www.montserrat.edu

Erin Dionne Featured in Salem News

Monday, April 1st, 2013

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Preteen heroine tries to solve Gardner heist
By Will Broaddus, Staff writer, The Salem News

Here’s a tip for the FBI: If you want to find the 13 works of art that were stolen from the Isabella Stewart Gardner Museum in 1990, talk to Moxie Fleece.

That’s because 13-year-old Moxie, the protagonist of Moxie and the Art of Rule Breaking by Erin Dionne, has discovered that the missing masterpieces are connected to her grandfather’s criminal past.

51R8ggEfzJLThe timing between the July publication date for Dionne’s novel and the FBI’s recent disclosures — that they know who stole the paintings, but have lost track of the artworks themselves — is coincidental.

Dionne, who has taught composition and creative writing at Montserrat College of Art for 10 years, has wanted to write about the stolen paintings since she first visited the Gardner as an undergraduate.

It made me angry that somebody would take something of such beauty,” she said.

But first, Dionne, who has published three previous books for “tweens,” or youths ages 8 to 12, had to create Moxie.

g0a00000000000000007be8ed51aa7577676a12b8c881cfca069bcb02c7My books usually launch from a character that I can build a narrative around,” she said. “It’s a story about family and the truth. (Moxie’s) grandfather has been honest, she knows he’s a criminal. But she has to confront, how much truth does she know, and what will she do to recover the paintings?

Moxie was worth waiting for because she has turned out to be Dionne’s first repeating character and will return in two future novels, also set in Boston.

Dionne, who lives in Framingham and attended Boston College, studied creative writing at Emerson.

When I first started pursuing my MFA, I was writing what I thought was serious fiction. It was terrible,” she said. “Then I took a writing-for-children class, and I found I had so many more interesting stories to tell.”

The preteen period of junior high school offers rich material for fiction, Dionne said.

It’s such a period of turmoil and change for all of us,” she said. “There’s a lot of potential for drama, between friends issues, family issues, figuring out who you are. It’s ripe for that.”

On Saturday June 1, Dionne will be holding a Creative Writing Retreat at Montserrat College of Art. The day will consist of morning writing from prompts, an afternoon receiving a critique of their work and an evening in lively discussion with a panel of writers who publish poetry, memoir, fiction and biography. The retreat will be led by the core faculty of creative writers at Montserrat including Dionne, Colleen Michaels and Dawn Paul.

Whether participants are novelists looking to jump start a summer goal of finishing those last—or first—chapters, poets hoping to find inspiration in a new setting or visual artists eager to test the medium of text, Montserrat’s Saturday retreat is designed to help writers of all levels move forward in their work. This course makes a wonderful companion to Shockingly Good Book Arts Course, during the week of June 24. There will also be classes focused in metal sculpture, knitting, film, acrylic, collage, portraiture, performance art, woodblock printing, comics and mixed media.

For more information about Dionne’s Summer Immersive workshop and others, visit montserrat.edu or contact Montserrat’s Continuing Education Office at ce@montserrat.edu or 978.921.4242 x1202.


www.montserrat.edu

Review of Montserrat Galleries Absent/Present in Boston Globe

Wednesday, March 27th, 2013

What’s up at Boston-area art galleries
By Cate McQuaid |GLOBE CORRESPONDENT | MARCH 26, 2013
The Boston Globe

aProperErasure04

Absent/Present,” the two-person show featuring Kate Gilmore and Zsuzsanna Szegedi at Montserrat College of Art Gallery, started out with a fairly obvious concept. Gilmore is always present in her performance-based videos and Szegedi tends to vanish from hers. But as the exhibit developed, curator and gallery director Leonie Bradbury writes in her catalog essay, the theme played out in deeper ways.

The question of absence or presence applies as easily to the art as to the artists. Szegedi’s smart, enveloping, and elusive “A Proper Erasure” happens over time, in two spaces. She created a massive, operatic wall drawing in another gallery on campus. Three white-garbed dancers proceeded to erase the drawing with their bodies, sponges, and a damp broom.

The artist captured the performance with stop-motion photography. She projects that in a video here, and makes another wall drawing around it, which she has invited gallery visitors to erase. A separate video of that ongoing erasure runs on a monitor to one side of the drawing.

The work poignantly drives home the sheer transience of the creative process, and plays against the attachment we have to art as commodity. We witness the drawings coming to be, and fading away.

Gilmore has said she considers herself a sculptor. Her labor-intensive performances, acted out in front of a camera but not spectators, result in objects or altered environments that can be viewed as sculptures. But her videos are more than merely documents: They are works of art in themselves. Three are on view here (and no art objects — although you can see one in “PAINT THINGS: beyond the stretcher” at the deCordova Sculpture Park and Museum).

In “Between a Hard Place,” Gilmore, dressed in a black silk cocktail dress, black gloves, and gaudy yellow pumps, kicks and elbows her way through five gray sheetrock walls. The pretty clothes contrast with the gritty work, which would be better accomplished with the swing of a sledgehammer than a high kick with a high heel.

For Gilmore, art does not begin and end with a single object or action. So where is the art? It’s dispersed over time and space — a video here, a photograph there, a sculpture and video elsewhere, and in snippets on the Internet. That makes it harder to pin down. With Szegedi, it’s not a simple drawing, but a participatory experience of drawing and erasure. If you’re not there to experience it, you can catch it on Vimeo, where her virtual drawings may be less tangible, but they capture the swell and ebb of a drawing’s life more effectively than the object itself could.


www.montserrat.edu

SNAAP Report: Arts Degrees Valued in a New Light

Wednesday, March 27th, 2013

SNAAP: Strategic National Arts Alumni Project is out with a new report with data indicating arts graduates view success differently than the prevailing wisdom about the value of different college majors. The SNAAP report, Painting with Broader Strokes: Reassessing the Value of an Arts Degree, includes data from nearly 14,000 arts graduates from 154 institutions. A key finding: most arts graduates are happy with their arts education and don’t view salary levels and job prospects as the dominant measures of success.

Key data points from SNAAP’s report:

• 87% are satisfied with their current jobs
• 82% are satisfied with their ability to be creative in their current primary job
• 76% of respondents would attend their degree-granting institution again
• 90% rate their arts school experience either “good” or “excellent”

Download the report at www.snaap.indiana.edu


www.montserrat.edu