The following is an excerpt from an interview with Montserrat College of Art alumna DanaMartin ’11 conducted by kathytemean.wordpress.com.
Dana Martin is an illustrator and designer who was born in New Mexico and has been roaming ever since. A recent graduate of Montserrat College of Art, her work has appeared in several local shows and was recently featured in CMYK’s Top New 100 Creatives.
Her clients include the Peabody Essex Museum, Hendrickson Publishers, Chrysler, ABDO, ArtThrob Magazine and Ploughshares. The Johnstown Flood, scheduled for release this fall, will be her first illustrated chapter book.
How long have you been illustrating?
3 years professionally.
How did you decide to attend Montserrat College of Art?
Because I knew so little then about how to choose an art school, I started my search with two lists. One was of all the schools in the AICAD (Association of Independent Schools of Art and Design) and the other was of those in the NASAD (National Association of Schools of Art and Design). I wanted to go to a private college and I figured any school that made both the lists was probably pretty good (now that I know more about accreditation processes, this seems amazingly naïve). After that I just started investigating every school that was in both associations. Most of them didn’t offer illustration programs, so they were easy to cross off. Others I could tell just weren’t the right fit. I eventually applied to RISD, the University of the Arts in Philadelphia, and Montserrat, and was accepted into all three. At that point, the smart thing would have been to visit the campuses, but since I was in the middle of gen. ed. classes at a state university on the other side of the country, I couldn’t get away. I kept calling and emailing the admissions offices with more questions, and they all did their best to get me the info I needed. Montserrat was always the pleasantest to deal with, though, and I just started to get the sense that it was a place where I would really feel at home. This turned out to be true.
Can you tell us a bit about that school?
Montserrat is a quirky little school slightly north of Boston. They offer all the standard art school concentrations, but the illustration department is particularly strong. There’s an emphasis on building foundational skills rather than chasing the latest trends, and the learning atmosphere is great because the students and instructors are serious about their work, but not their self-image. It’s a down-to-earth and unpretentious community, something that’s not always easy to find in the art world.
What were you favorite classes?
That’s a hard choice, I had a lot of great ones. I really enjoyed the natural science illustration class, because we learned a lot about botany and insects, and there was a whole closet full of butterflies, dried flowers, stuffed birds, and other treasures that we were free to borrow for sketching. My thesis class was also amazing, because I got to plan my own assignments but was supported by everyone’s feedback. Even the classes I wasn’t enthusiastic about, though, such as typography and web design, have proven invaluable since graduation.
What did you do right after you graduated?
I continued with some of the things I’d already been doing in college – working at a library and helping with Montserrat’s summer program – but I did manage to get some small illustration jobs almost as soon as I graduated.
Do you feel that the classes you took in college have influenced your style?
One thing I appreciated about my instructors was that they didn’t steer students toward one style or another, but instead worked to help each of us sort out the voices we already had. I’ve always had an eye for detail, but when I started school, it was out of hand. My compositions were cramped and everything in the picture was competing for elbow room, so nothing could flow. The instructors helped me recognize the problem and find ways to open up the page.
When did you decide you wanted to illustrate a children’s book?
I expect from the moment I first saw a children’s book. Even before I could read them I never went anywhere without one. Come to think of it, I still don’t.
Any words of wisdom on how to become a successful writer or illustrator?
Everyone knows they have to work hard, but I don’t think everyone realizes how long they’ll be working hard. This is a marathon, not a sprint. It’s easy to neglect everything else in the pursuit of your craft, but over time that undermines you. Art has to be about something. If you cut yourself off from your friends, your hobbies, and whatever else fuels you as a person, you eventually will have nothing to say artistically. In the words of Gore Vidal, the unfed mind devours itself.
See the full article here: kathytemean.wordpress.com